"Fontaines et sources, Op. 352: La grande cascade de Gavarnie" by Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau had its release date on December 9, 2014. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 26 out of 223 in Darius Milhaud: Bolivar, Maximilien, Les euménides & Les choéphores by Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Louis Saguer, Hélène Bouvier. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Fontaines et sources, Op. 352: La grande cascade de Gavarnie is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fontaines et sources, Op. 352: La grande cascade de Gavarnie by Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Simon Boccanegra: Act I: Come in quest'ora bruna (Amelia) | Giuseppe Verdi, Marina Rebeka, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | E♭ Major | 2 | 5B | 80 BPM | ||
| Les Pêcheurs de perles: Me voilà seule dans la nuit (Leïla) | Georges Bizet, Janine Micheau/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | F Major | 1 | 7B | 65 BPM | ||
| Ravel: Don Quichotte à Dulcinée, M. 84: No. 3, Chanson à boire | Maurice Ravel, Kent Nagano, José van Dam, Orchestre De L'Opéra National De Lyon | C Minor | 2 | 5A | 98 BPM | ||
| Bellini: I puritani: "Suoni la tromba" (Giorgio, Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Die junge Nonne, D. 828 | Franz Schubert, Renée Fleming, Christoph Eschenbach | F Major | 1 | 7B | 105 BPM | ||
| Bellini: I puritani: "Cavalier! – Se t’è d’uopo di consiglio" (Enrichetta, Arturo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Gounod: Faust, Act 2: "O sainte médaille, qui me viens de ma sœur" (Valentin, Wagner, Siebel, Chœur) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, Marc Barrard, Martine Mahé, Thomas Hampson, Orchestre Du Capitole De Toulouse | D♭ Major | 1 | 3B | 103 BPM | ||
| Carmen / Act 1: "Monsieur le brigadier?" / Duo:"Parle-moi de ma mère!" | Georges Bizet, Katia Ricciarelli, José Carreras, Jean Barney, Danièle Ajoret, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 81 BPM | ||
| Manon / Act 2: "En fermant les yeux" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | D Major | 1 | 10B | 78 BPM | ||
| Bizet: Les pêcheurs de perles, Act 1: "Ô Dieu Brahma !" (Leïla, Nadir, Chœur) | Georges Bizet, Pierre Dervaux, Chœur du Théâtre National de l’Opéra-Comique, Janine Micheau, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | F Major | 0 | 7B | 65 BPM | ||
| Le Sacre du Printemps / Part 1: 2. Les augures printaniers - Danse des adolescents | Igor Stravinsky, The Paris Conservatoire Orchestra, Pierre Monteux | G Major | 0 | 9B | 82 BPM | ||
| Mahler: Kindertotenlieder: No. 3, Wenn dein Mütterlein, tritt zur Tür herein | Gustav Mahler, Sir John Barbirolli, Dame Janet Baker, Hallé | D Major | 1 | 10B | 99 BPM | ||
| Ganne: Hans, le joueur de flûte, Act 2: Duo. "Mon cœur a des peines" - Berceuse. "Adieu ma mie, adieu mon âme" (Lisbeth, Hans, Pippermann, Chœur) | Louis Ganne, Jean-Pierre Marty, Bernard Cottret, Choeurs Rene Duclos, Liliane Berton, Michel Dens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 102 BPM | ||
| Rückert-Lieder: Um Mitternacht | Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner | A Minor | 1 | 8A | 91 BPM | ||
| Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | E♭ Major | 2 | 5B | 80 BPM | ||
| Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Daniel Barenboim, Orchestre de Paris, Dietrich Fischer-Dieskau, Edinburgh Festival Chorus | E♭ Major | 0 | 5B | 70 BPM | ||
| Offenbach: La Belle Hélène, Act 2: Duo. "C'est le ciel qui m'envoie" (Hélène, Pâris) | Jacques Offenbach, Marc Minkowski, Felicity Lott, Yann Beuron, Les Musiciens du Louvre | E Major | 1 | 12B | 90 BPM | ||
| Ein deutsches Requiem, Op. 45: V. "Ihr habt nun Traurigkeit" | Johannes Brahms, London Symphony Orchestra, London Symphony Chorus, André Previn, David Wilson-Johnson, Harolyn Blackwell | A♭ Major | 1 | 4B | 140 BPM | ||
| Lalo: Le Roi d'Ys, Act 3: "Ces rumeurs, ces cris d'alarme" (Le Roi, Rozenn, Margared, Mylio, Choeurs) | Édouard Lalo, André Cluytens, Henri Legay, Janine Micheau, Pierre Savignol, Rita Gorr, Orchestre National Radiodiffusion Française | C Major | 3 | 8B | 86 BPM | ||
| Love's Philosophy | Roger Quilter, Jodie Devos, Nicolas Krüger | F Major | 3 | 7B | 72 BPM | ||
| The Dream of Gerontius, Op. 38, Pt. 1: IVb-d. I Can No More – Rescue Him, O Lord – Novissima hora est | Edward Elgar, David Butt Philip, Huddersfield Choral Society, RNCM Chamber Choir, The Orchestra Of Opera North, Martyn Brabbins | E♭ Major | 2 | 5B | 80 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 2 "Der kleine Sandmann bin ich" [The Sandman] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 0 | 10B | 132 BPM | ||
| Rossini: Petite messe solennelle: II. Gloria, 4. Domine Deus (Tenor). Allegro giusto | Gioachino Rossini, Antonio Pappano | F Major | 1 | 7B | 81 BPM | ||
| Gounod: Faust, Act 2: Récitatif. "Merci de ta chanson !" (Chœur, Valentin, Wagner, Méphistophélès, Siebel) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, José van Dam, Marc Barrard, Martine Mahé, Thomas Hampson, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Lalo: Le Roi d'Ys, Act 1: "Si le ciel est plein de flammes" (Mylio, Rozenn) | Édouard Lalo, André Cluytens, Henri Legay, Janine Micheau, Orchestre National Radiodiffusion Française | C Major | 3 | 8B | 86 BPM |