On July 6, 2001, the song "Chhoda Sawan K Jhamela" was released by Madan Rai. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 8 in Choodi Khanke Sawan Mein by Madan Rai. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Chhoda Sawan K Jhamela is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Chhoda Sawan K Jhamela by Madan Rai is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gal Wafawan Di | Tajammal Mansoor Malangi | F Minor | 7 | 4A | 126 BPM | ||
| Radhe Ga Radhe Sang Na Tujhe | Suryakant Shinde | A♭ Major | 9 | 4B | 171 BPM | ||
| Bondhu Tin Tinta Chithi Dilam | Momtaz | G Major | 6 | 9B | 160 BPM | ||
| Kawano Dinwa Sikar Ho Jaibu | Rakesh Tiwari | E♭ Major | 8 | 5B | 93 BPM | ||
| Jeevdaani Belha Maai | Devendra Pathak, Madan Rai, Satendra Pathak, Shashi Pathak, Neetu Singh | E Major | 8 | 12B | 90 BPM | ||
| Chalu Dekha Bahina - Maithili | Sharda Sinha, Vandana Sinha | F♯ Major | 5 | 2B | 140 BPM | ||
| Saat Samunder Paar Se | Gopal Rai | F Major | 5 | 7B | 89 BPM | ||
| Maihar Se Chunari | MANOJ TIWARI | D♭ Major | 5 | 3B | 154 BPM | ||
| Savti Na Apnaayib | Vishnu Ojha | F Minor | 5 | 4A | 138 BPM | ||
| Geree Geree Birkha Bhaiya | Prakash Mali | D♭ Major | 6 | 3B | 95 BPM | ||
| Maiyaji Tera Pyar | Narendra Chanchal | G Minor | 8 | 6A | 187 BPM | ||
| Nahin Chahiye Dil Dukhana Kisika | Parmod Kumar | B Major | 7 | 1B | 84 BPM | ||
| Sai Sevakchi Palkhi Chalali Shirdi Gavi | Jayesh Parab | A♭ Major | 9 | 4B | 180 BPM | ||
| Rom Rom har Bole | NARAYANSWAMI | F Minor | 7 | 4A | 91 BPM | ||
| O Piya Are Are | Subrat Moharana | B Minor | 8 | 10A | 81 BPM | ||
| Soon Re Kabutari | Golu Raja, Karina Pandey | B♭ Major | 10 | 6B | 142 BPM | ||
| Japakarojapa Karo Shri Ram | Dhiraj Sharma | A♭ Major | 5 | 4B | 136 BPM | ||
| Martaba Naam Aur Izzat | Chhote Majid Shola | B♭ Major | 5 | 6B | 103 BPM | ||
| Lali Lali Tor | Dukalu Yadav | A♭ Major | 7 | 4B | 116 BPM | ||
| Patna Se Kanvo Gaadi | Kalpana Patowary | B♭ Major | 6 | 6B | 80 BPM | ||
| Pappu Kaay Ke Lane Jag Rayo Bundeli Hasya Lokgeet | JaiSingh Raja, Veena Pandit | F♯ Major | 8 | 2B | 80 BPM | ||
| HARE JULE JELE SHRINATHJI- HALRDU | Nidhi Dholkia | F♯ Major | 6 | 2B | 115 BPM | ||
| O Beiman Re | Kukila Sarkar | D♭ Minor | 8 | 12A | 146 BPM | ||
| Jin Din Janamiya Hansa | Prakash Mali | E♭ Minor | 8 | 2A | 84 BPM | ||
| Raat Shyam Sapney Mein Aaye | Vandana Bhardwaj | F♯ Major | 8 | 2B | 140 BPM |