Brian Dee, Irving Martin's 'Rush Hour' had a release date set for January 1, 1980. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Rush Hour's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 17 in Bruton BRJ19: Drive/The Living City (Edited) by Brian Dee, Irving Martin. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Rush Hour is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Rush Hour by Brian Dee, Irving Martin is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Olde Timey | Kevin MacLeod | C Major | 1 | 8B | 107 BPM | ||
| Dream Reflections | Brian Dee, Irving Martin | C Major | 2 | 8B | 121 BPM | ||
| I Got It Bad and That Ain't Good - Live | Harry Allen, Randy Sandke, Brian Dee, Len Skeat, Oliver Jackson | G Major | 2 | 9B | 102 BPM | ||
| Apres Ski | Frank Chacksfield | D Minor | 4 | 7A | 118 BPM | ||
| Lobby Soirée | Jeffrey Lardner, Mark Alloway | B♭ Minor | 6 | 3A | 90 BPM | ||
| Happy Jose - Remastered | Kookie Freeman | D Minor | 6 | 7A | 200 BPM | ||
| Blue Monk - Live | George Masso, Ken Peplowski, Brian Dee, Len Skeat, Jake Hanna | F Minor | 5 | 4A | 128 BPM | ||
| Chase That Car | Laurie Johnson | B♭ Minor | 5 | 3A | 138 BPM | ||
| Chillout Lounge | Tsundere Twintails | D♭ Major | 5 | 3B | 108 BPM | ||
| Thought You Knew Me | Guy Trevino and Friends | D♭ Major | 7 | 3B | 75 BPM | ||
| Seaside Summer | napcast | G Major | 4 | 9B | 118 BPM | ||
| Rainbow | James Clarke | A♭ Major | 4 | 4B | 108 BPM | ||
| An Afternoon Appetite | Kyle Allen Music | G Major | 3 | 9B | 130 BPM | ||
| Bon Voyage | Peter Winslow | B♭ Major | 3 | 6B | 90 BPM | ||
| Environs | Muzak Orchestra | F Major | 6 | 7B | 123 BPM | ||
| Soft Lights and Music | Gordon Rees | A Minor | 3 | 8A | 131 BPM | ||
| Awakening Memories | Paul Fenoulhet | F Major | 3 | 7B | 110 BPM | ||
| Artists Parade 1 | Bob Vessin | F Major | 4 | 7B | 156 BPM | ||
| Water Sports | James Clarke | A♭ Major | 6 | 4B | 86 BPM | ||
| Bored to Bits | Oliver Melville Smith, Jeremy Godfrey, Ian Wish, Paul Plant | G Major | 8 | 9B | 165 BPM | ||
| It's Getting Late, My Love | Trio Leo | F♯ Minor | 9 | 11A | 100 BPM | ||
| You Took Advantage of Me - Live | Harry Allen, Randy Sandke, Brian Dee, Len Skeat, Oliver Jackson | A♭ Minor | 1 | 1A | 84 BPM | ||
| Hoola Hoola | Peter Sander | D Major | 7 | 10B | 108 BPM | ||
| Wind Up | Brian Dee, Irving Martin | A Minor | 5 | 8A | 162 BPM | ||
| Roselita | Pierre Arvay | D Minor | 7 | 7A | 105 BPM |