Bruce Hubbard's ' "Power (From "Timbuktu")" was released on its scheduled release date, May 27, 1997. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Original Studio Cast's "Kismet: Complete Recording (First Complete Recording All Star Cast)" album is number 16 out of 32. On top of that, United Kingdom appears to be the country where this track was created. Power (From "Timbuktu") is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Power (From "Timbuktu") by Bruce Hubbard to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Susannah / Act 2: "The trees on the mountain" | Carlisle Floyd, Renée Fleming, Metropolitan Opera Orchestra, James Levine | G Minor | 1 | 6A | 169 BPM | ||
| Love Can't Happen | Brent Barrett | D♭ Major | 4 | 3B | 80 BPM | ||
| Much More | Rita Gardner | E Minor | 2 | 9A | 132 BPM | ||
| Gliding | Peter Friedman | F Major | 1 | 7B | 81 BPM | ||
| Who Can I Turn To (When Nobody Needs Me) | Anthony Newley | C Major | 3 | 8B | 88 BPM | ||
| That'll Show Him | Preshy Marker | C Major | 2 | 8B | 125 BPM | ||
| The Mikado / Act 2: 30. The flowers that bloom in the spring, tra-la | Arthur Sullivan, Valerie Masterson, Peggy Ann Jones, Colin Wright, John Reed, Kenneth Sandford, Royal Philharmonic Orchestra, Royston Nash | A Major | 1 | 11B | 174 BPM | ||
| Cabaret: Cabaret | John Kander, Jill Haworth, Harold Hastings | A Major | 2 | 11B | 95 BPM | ||
| Ballroom: Fifty Percent | Billy Goldenberg, Dorothy Loudon, Les Scott | E♭ Major | 3 | 5B | 80 BPM | ||
| I Won't Send Roses - From "Mack & Mabel Original Cast Recording" | Robert Preston | C Major | 2 | 8B | 85 BPM | ||
| Hurry! It's Lovely Up Here | John Cullum, Barbara Harris | C Minor | 2 | 5A | 109 BPM | ||
| Porgy and Bess (highlights): Give him to me...A woman is a sometime thing...Here come de honey man (Jake, Mingo, Sporting Life, Chorus, Baby, Clara, Robbins, Peter, Lily, Maria) | George Gershwin, Bruce Hubbard/Damon Evans/Linda Thompson/Harolyn Blackwell/Johnny Worthy/Mervin Wallace/Maureen Braithwaite/Marietta Simpson/Glyndebourne Chorus/Craig Ruttenberg/London Philharmonic Orchestra/Sir Simon Rattle, Sir Simon Rattle, London Philharmonic Orchestra | E♭ Major | 2 | 5B | 80 BPM | ||
| The Dream of Gerontius, Op. 38, Pt.1: Jesu, Maria - I am near to death | Sir Edward Elgar, Paul Groves, Sir Mark Elder, Hallé | A♭ Major | 0 | 4B | 171 BPM | ||
| Camelot: I Wonder What the King Is Doing Tonight | Frederick Loewe, Richard Burton, Original Broadway Cast of Camelot, Franz Allers | E♭ Major | 3 | 5B | 133 BPM | ||
| Try to Remember | Jerry Orbach | F Major | 2 | 7B | 125 BPM | ||
| A Little Bit In Love | Edith Adams | E♭ Major | 2 | 5B | 80 BPM | ||
| Politics And Poker | Fiorello! - Original Broadway Cast | G Major | 3 | 9B | 82 BPM | ||
| Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | ||
| Ol' Man River - Original | The Cast of The Show Boat | C Major | 2 | 8B | 89 BPM | ||
| Camelot: Finale Ultimo | Frederick Loewe, Richard Burton, The Camelot Ensemble, Original Broadway Cast of Camelot, Franz Allers | E♭ Major | 1 | 5B | 77 BPM | ||
| This Plum Is Too Ripe | Hugh Thomas, Rita Gardner, William Larsen, Kenneth Nelson | F Major | 4 | 7B | 71 BPM | ||
| 4 Letzte Lieder, TrV 296: No. 2, September | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | F♯ Major | 1 | 2B | 81 BPM | ||
| My Fair Lady, Act I Scene 1: Wouldn’t It Be Loverly? | Frederick Loewe, Sinfonia Of London, Scarlett Strallen, Tom Ping, Connor Carson, Tom Liggins, Hal Cazalet, John Wilson | G Minor | 1 | 6A | 122 BPM | ||
| Indian Love Call | Jeanette MacDonald, Nelson Eddy | F Major | 2 | 7B | 90 BPM | ||
| Goodbye, Old Girl | Richard Adler, Jerry Ross, "Damn Yankees" 1994 Broadway Cast, David Chase | A Major | 0 | 11B | 86 BPM |