"Hush (Somebody's Calling My Name)" by Traditional, Kathleen Battle, Cyro Baptista, Christian McBride had its release date on September 5, 1995. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "So Many Stars". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Hush (Somebody's Calling My Name)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Hush (Somebody's Calling My Name) by Traditional, Kathleen Battle, Cyro Baptista, Christian McBride having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lo, how a Rose e'er blooming | Traditional, Choir of Merton College, Oxford, Benjamin Nicholas | F Major | 1 | 7B | 119 BPM | ||
| Evensong Mvt. 1 | Evan Byler, Rachael Lofgren, Cantate Domino, Seth Bergey | E♭ Major | 1 | 5B | 135 BPM | ||
| Ideo Gloria | Lydia McCauley | D Major | 3 | 10B | 119 BPM | ||
| Sing we and chaunt it | Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley | G Major | 1 | 9B | 74 BPM | ||
| Unanswered Amen | Night Monastery | E Minor | 0 | 9A | 70 BPM | ||
| Introit Benedicta Sit | Monks Of The Abbey Of Notre Dame | F♯ Major | 1 | 2B | 83 BPM | ||
| Adoramus te, Christe | Théodore Dubois, Vienna Chamber Choir, Michael Grohotolsky | C Major | 0 | 8B | 102 BPM | ||
| Holy Spirit Mass: Alleluia | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | D Major | 3 | 10B | 142 BPM | ||
| Misatango, Misa a Buenos Aires: IV. Qui tollis | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 1 | 4A | 75 BPM | ||
| Totuuden henki | Traditional, SRK Instrumentaali | G Major | 1 | 9B | 67 BPM | ||
| Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
| Cherubic Hymn: No. 7, — | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | G Minor | 0 | 6A | 144 BPM | ||
| Canticum Beatum | The Schola Cantorum of St. John XXIII Parish, Cantos Gregorianos, Monges da Abadia de Notre Dame | D Minor | 0 | 7A | 82 BPM | ||
| Jesu, Son Most Sweet and Dear, from Anniversary Carols | Jackson Berkey, Soli Deo Gloria Cantorum, Almeda Berkey (Director) | A♭ Major | 1 | 4B | 112 BPM | ||
| Troika | Kirsten Agresta Copely | A Major | 2 | 11B | 91 BPM | ||
| Veni, Veni Emmanuel | Traditional, Grant Park Chorus, Christopher Bell | A Minor | 1 | 8A | 80 BPM | ||
| Hyvyyden voiman ihmeelliseen suojaan | Erkki Melartin, SRK Instrumentaali | G Major | 1 | 9B | 67 BPM | ||
| The Mass: Et Incarnatus Est | Patrick Cassidy, Laude, David Harris, Christoph Bull | D Minor | 1 | 7A | 75 BPM | ||
| Liturgical Chants: 4 Spiritual Songs. Alleluia | Valentin Silvestrov, Ieva Ezeriete, Kārlis Rūtentāls, Dace Strautmane, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 129 BPM | ||
| 2 Partsongs, Op. 26: No. 1, The Snow | Edward Elgar, Bavarian Radio Chorus, Radoslaw Szulc, Julita Smoleń, Max Hanft, Howard Arman | E Minor | 1 | 9A | 81 BPM | ||
| Harvest Hymn | Percy Grainger, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 84 BPM | ||
| In monte Oliveti, IGM 4 | Giovanni Battista Martini, Pro Musica, Szabó Dénes | G Minor | 0 | 6A | 133 BPM | ||
| Requiem aeternam | Traditional, Chœur De Moines Bénedictins De l'Abbaye Santo Domingo De Silos | E♭ Major | 2 | 5B | 174 BPM | ||
| Ave Maria, FWV 62 | César Franck, Ensemble Vocal de Lausanne, Michel Corboz | E Major | 1 | 12B | 83 BPM | ||
| Sleepers, Wake! (Cantata BWV. 140 Wachet auf, ruft uns die Stimme) - 2005 Digital Remaster | Johann Sebastian Bach, Empire Brass | E♭ Major | 1 | 5B | 69 BPM |