"Seventeen Come Sunday" by Graham Fitkin, Fitkinwall had its release date on November 29, 2024. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "UIST". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Norway. Based on our statistics, Seventeen Come Sunday's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Seventeen Come Sunday by Graham Fitkin, Fitkinwall having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano & Violoncello 25 | Irena And Vojtech Havlovi | A♭ Major | 1 | 4B | 84 BPM | ||
| Six Pieces for Solo Violin: II. Arpeggio | Sophia Jani, Teresa Allgaier | E Minor | 1 | 9A | 117 BPM | ||
| Okt III | Girls in Airports, Halvcirkel | F♯ Minor | 0 | 11A | 129 BPM | ||
| She Needs the Wind | Mia Brentano, Benyamin Nuss, Billy Test | G Major | 4 | 9B | 111 BPM | ||
| The Viola in My Life I | Morton Feldman, Antoine Tamestit, Gürzenich Orchester Köln, Harry Ogg | D♭ Major | 1 | 3B | 134 BPM | ||
| Runner: II. Eighths | Steve Reich, Los Angeles Philharmonic, Susanna Mälkki | A♭ Major | 2 | 4B | 99 BPM | ||
| Hallelujah Junction: II. - | John Adams, Lukas Geniušas, Anna Geniushene | A♭ Major | 2 | 4B | 86 BPM | ||
| Prelude No. 8 In F Sharp Minor | Donald Lee Myers | F♯ Minor | 0 | 11A | 131 BPM | ||
| Shadow Play | Paul Grabowsky, Mindy Meng Wang 王萌 | G Major | 1 | 9B | 90 BPM | ||
| Diagram and Projection: III. The Bells of St. Petersburg | Alessio Santolini Raggi | D Major | 0 | 10B | 64 BPM | ||
| Afterglow | Constant Moritz | G Minor | 1 | 6A | 120 BPM | ||
| Shuteye Heartfelt | Bach | D Minor | 0 | 7A | 128 BPM | ||
| Lauda 3 | Gavin Bryars, Roger Heaton | G Minor | 0 | 6A | 76 BPM | ||
| Pulsars, Pt. 2: Episode 1 | Tomasz Trzcinski | G Major | 0 | 9B | 96 BPM | ||
| St Petersburg Waltz | Meredith Monk, Ursula Oppens | F♯ Minor | 1 | 11A | 131 BPM | ||
| Aguas da Amazonia: Paru River | Third Coast Percussion, Philip Glass, Constance Volk | D♭ Major | 1 | 3B | 165 BPM | ||
| Stony Garden | Janina Garscia, Anna Miernik | A Minor | 1 | 8A | 71 BPM | ||
| Morning Lights | The Sleepy Pianist | A♭ Major | 0 | 4B | 81 BPM | ||
| Flight of The Angel (Behind The Mask) | Lauren Scott | D Major | 0 | 10B | 64 BPM | ||
| 'Greetings', Miniaturas para Piano: 3 Palabras: 'a por Ello' | Ana Vázquez Silva, Irene Cantos | N/A | N/A | N/A | 0 BPM | ||
| In Nomine (2001) for bass flute, english horn, clarinet, piano, vibraphone, violin, viola and Violoncello | Georg Friedrich Haas, Ensemble Recherche | G Minor | 0 | 6A | 127 BPM | ||
| Humble Beginnings | Rachel Grimes | E Minor | 0 | 9A | 117 BPM | ||
| Orphée - Arr. for Piano duet / Act 2: IV. Chez Orphée | Philip Glass, Katia Labèque, Marielle Labèque | F Major | 2 | 7B | 169 BPM | ||
| Les chauves-souris choréographique | Niklas Sivelov | A Minor | 3 | 8A | 171 BPM | ||
| Nomad | Vemeer | E Major | 0 | 12B | 102 BPM |