Seventeen Come Sunday
Graham Fitkin, Fitkinwall
UIST
4:24 November 29, 2024
BPM
123
Key
F Minor
Camelot
4A

Embed

Share Link

Seventeen Come Sunday by Graham Fitkin, Fitkinwall Song Details

"Seventeen Come Sunday" by Graham Fitkin, Fitkinwall had its release date on November 29, 2024. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "UIST". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Norway. Based on our statistics, Seventeen Come Sunday's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

With Seventeen Come Sunday by Graham Fitkin, Fitkinwall having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-15.666 dB
Acousticness
87%
Danceability
55%
Energy
36%
Instrumentalness
95%
Liveness
8%
Loudness
74%
Speechiness
3%
Valence
9%

Recommendations

TrackArtistKeyEnergyCamelotBPM
Piano & Violoncello 25 by Irena And Vojtech HavloviPiano & Violoncello 25Irena And Vojtech HavloviA♭ Major14B84 BPM
Six Pieces for Solo Violin: II. Arpeggio by Sophia Jani, Teresa AllgaierSix Pieces for Solo Violin: II. ArpeggioSophia Jani, Teresa AllgaierE Minor19A117 BPM
Okt III by Girls in Airports, HalvcirkelOkt IIIGirls in Airports, HalvcirkelF♯ Minor011A129 BPM
She Needs the Wind by Mia Brentano, Benyamin Nuss, Billy TestShe Needs the WindMia Brentano, Benyamin Nuss, Billy TestG Major49B111 BPM
The Viola in My Life I by Morton Feldman, Antoine Tamestit, Gürzenich Orchester Köln, Harry OggThe Viola in My Life IMorton Feldman, Antoine Tamestit, Gürzenich Orchester Köln, Harry OggD♭ Major13B134 BPM
Runner: II. Eighths by Steve Reich, Los Angeles Philharmonic, Susanna MälkkiRunner: II. EighthsSteve Reich, Los Angeles Philharmonic, Susanna MälkkiA♭ Major24B99 BPM
Hallelujah Junction: II. - by John Adams, Lukas Geniušas, Anna GeniusheneHallelujah Junction: II. -John Adams, Lukas Geniušas, Anna GeniusheneA♭ Major24B86 BPM
Prelude No. 8 In F Sharp Minor by Donald Lee MyersPrelude No. 8 In F Sharp MinorDonald Lee MyersF♯ Minor011A131 BPM
Shadow Play by Paul Grabowsky, Mindy Meng Wang 王萌Shadow PlayPaul Grabowsky, Mindy Meng Wang 王萌G Major19B90 BPM
Diagram and Projection: III. The Bells of St. Petersburg by Alessio Santolini RaggiDiagram and Projection: III. The Bells of St. PetersburgAlessio Santolini RaggiD Major010B64 BPM
Afterglow by Constant MoritzAfterglowConstant MoritzG Minor16A120 BPM
Shuteye Heartfelt by BachShuteye HeartfeltBachD Minor07A128 BPM
Lauda 3 by Gavin Bryars, Roger HeatonLauda 3Gavin Bryars, Roger HeatonG Minor06A76 BPM
Pulsars, Pt. 2: Episode 1 by Tomasz TrzcinskiPulsars, Pt. 2: Episode 1Tomasz TrzcinskiG Major09B96 BPM
St Petersburg Waltz by Meredith Monk, Ursula OppensSt Petersburg WaltzMeredith Monk, Ursula OppensF♯ Minor111A131 BPM
Aguas da Amazonia: Paru River by Third Coast Percussion, Philip Glass, Constance VolkAguas da Amazonia: Paru RiverThird Coast Percussion, Philip Glass, Constance VolkD♭ Major13B165 BPM
Stony Garden by Janina Garscia, Anna MiernikStony GardenJanina Garscia, Anna MiernikA Minor18A71 BPM
Morning Lights by The Sleepy PianistMorning LightsThe Sleepy PianistA♭ Major04B81 BPM
Flight of The Angel (Behind The Mask) by Lauren ScottFlight of The Angel (Behind The Mask)Lauren ScottD Major010B64 BPM
'Greetings', Miniaturas para Piano: 3 Palabras: 'a por Ello' by Ana Vázquez Silva, Irene Cantos'Greetings', Miniaturas para Piano: 3 Palabras: 'a por Ello'Ana Vázquez Silva, Irene CantosN/AN/AN/A0 BPM
In Nomine (2001) for bass flute, english horn, clarinet, piano, vibraphone, violin, viola and Violoncello by Georg Friedrich Haas, Ensemble RechercheIn Nomine (2001) for bass flute, english horn, clarinet, piano, vibraphone, violin, viola and VioloncelloGeorg Friedrich Haas, Ensemble RechercheG Minor06A127 BPM
Humble Beginnings by Rachel GrimesHumble BeginningsRachel GrimesE Minor09A117 BPM
Orphée - Arr. for Piano duet / Act 2: IV. Chez Orphée by Philip Glass, Katia Labèque, Marielle LabèqueOrphée - Arr. for Piano duet / Act 2: IV. Chez OrphéePhilip Glass, Katia Labèque, Marielle LabèqueF Major27B169 BPM
Les chauves-souris choréographique by Niklas SivelovLes chauves-souris choréographiqueNiklas SivelovA Minor38A171 BPM
Nomad by VemeerNomadVemeerE Major012B102 BPM
ISRC
NO85F2402008
Label
L-M Records/RCA Records