Masato Kouda's 'Oppressed' had a release date set for December 20, 2023. With This song being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "TV Anime"I'm Giving the Disgraced Noble Lady I Rescued a Crash Course in Naughtiness"Original Soundtrack". In this album, this song's track order is #22. Furthermore, we believe that the track originated from Japan. Based on our statistics, Oppressed's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Oppressed by Masato Kouda having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mother's Voice | Masami Ueda, Masato Kouda, Misao Sennbonngi | B Minor | 8 | 10A | 114 BPM | ||
| Dark Flow | Milena Korkova, Mila Korr | G Major | 2 | 9B | 75 BPM | ||
| Emergency Surgery | 沢田完 | C Minor | 5 | 5A | 98 BPM | ||
| 神の手を持つ男 | Hideakira Kimura | F Major | 0 | 7B | 120 BPM | ||
| OPENING ACT@TSUKUYOMI | CONISCH | A Major | 5 | 11B | 105 BPM | ||
| この素晴らしき景色 | Akiyuki Tateyama | G Major | 2 | 9B | 90 BPM | ||
| Moon Moment | CONISCH | A Major | 5 | 11B | 105 BPM | ||
| 仄暗く漂う残酷な気配 | AstroNoteS | B Minor | 4 | 10A | 78 BPM | ||
| 天を衝く花 | Hideakira Kimura | A Major | 5 | 11B | 105 BPM | ||
| Assault (Infested Chopper Battle) | Tetsuya Shibata, Masato Kouda, Satoshi Ise | C Major | 9 | 8B | 154 BPM | ||
| 魔法が使えない | 羽岡 佳 | D Major | 3 | 10B | 170 BPM | ||
| 優雅なる棘 | 加藤慶久 | B♭ Major | 5 | 6B | 180 BPM | ||
| ヒンナヒンナ | Kenichiro Suehiro | G Major | 2 | 9B | 100 BPM | ||
| 最高の覚悟 | Akihiko Matsumoto | D Minor | 3 | 7A | 100 BPM | ||
| にゃんこらせっ。 | 吉森 信 | D♭ Major | 0 | 3B | 75 BPM | ||
| 日曜劇場「ラストマン」メインテーマ ORIGINAL COVER INST Ver.ORIGINAL COVER INST Ver. | NIYARI計画 | A♭ Major | 5 | 4B | 80 BPM | ||
| ボッジ戦闘態勢 | MAYUKO | F Major | 5 | 7B | 106 BPM | ||
| くまポリス | Kohei Tanaka | A Minor | 6 | 8A | 140 BPM | ||
| TSUKUYOMI | CONISCH | A Major | 5 | 11B | 105 BPM | ||
| Brooms and Potions | Masaru Yokoyama | G Major | 4 | 9B | 116 BPM | ||
| 幸せの味 | Hideakira Kimura | B♭ Major | 1 | 6B | 79 BPM | ||
| Cold Embrace | Orithia | B♭ Minor | 3 | 3A | 125 BPM | ||
| あなたの番です | Yuki Hayashi | F♯ Minor | 6 | 11A | 174 BPM | ||
| A Story Begins | Takumi Ozawa | F Minor | 10 | 4A | 140 BPM | ||
| ジングルB~Bouzouki ver.~ | 加藤慶久 | G Major | 0 | 9B | 172 BPM |