Rajkishan Agwanpuriya's ' "Rani Gaye Sharat Main Haar" was released on its scheduled release date, 1991. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Rajkishan Agwanpuriya's "Haryanvi Rajkishan Ki Futkar Ragniya (Vol. 1, 2, 3, 4, 5, 6, 7 & 8)" album is number 3 out of 55. On top of that, France appears to be the country where this track was created. In terms of popularity, Rani Gaye Sharat Main Haar is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Rani Gaye Sharat Main Haar by Rajkishan Agwanpuriya to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Baint- Sikh Dhadhi | Dhadhi Jathan | F♯ Major | 7 | 2B | 81 BPM | ||
| Jawan Balihari Ji Main Apne Guran Ton | Sri Hazoor Sant Isher Singh Ji Maharaj | C Minor | 8 | 5A | 99 BPM | ||
| Charcha Hori Balaji Hariyane Mein | Narendra Kaushik | F♯ Minor | 10 | 11A | 88 BPM | ||
| Nath Ek Alakh Jagave He | Sumit Kalanaur | E Major | 9 | 12B | 128 BPM | ||
| Bebe Main To Ghus Ghus Ke Ne Roo | Narendra Kaushik | E Minor | 9 | 9A | 151 BPM | ||
| Sadhu Se Gharvari Koonya | Pale Ram, Ranbir Singh Badwasniya, Satte, Sunil, Rajendar Kharkiya | E♭ Minor | 8 | 2A | 137 BPM | ||
| Kesariyo Hajari Gul Ro Phool (Instrumental) | Kesariya Rajasthan | A Major | 3 | 11B | 168 BPM | ||
| Dil Se Tumko Manau Hey Bhagwan | Poonam Shastri Ji | B Minor | 10 | 10A | 124 BPM | ||
| Kis Karan Se Preetam Pyare | Brajesh Shastri | C Major | 8 | 8B | 95 BPM | ||
| Hey Dukh Bhanjan Maruti Nandan | The Bundeli Artists | A♭ Major | 6 | 4B | 92 BPM | ||
| દ્વારિકા નો નાથ || Dwarika No Nath | Dwarkesh Studio, SAGARDAN GADHVI | D Minor | 7 | 7A | 128 BPM | ||
| Kaam Ka Dunda Thaa De Ri | Krishan Juen Wala | D♭ Minor | 8 | 12A | 111 BPM | ||
| Manne Gin Ke De Liye | Rajender Singh Kharkiya | A♭ Major | 8 | 4B | 123 BPM | ||
| Tu He Baata Bhagwan | Rajkishan Agwanpuriya | E Major | 7 | 12B | 109 BPM | ||
| Assan Kamiyan Kun Rakh Jhook Utte | Ramzan Bewas | D♭ Major | 9 | 3B | 83 BPM | ||
| Main Sarp Langote Wala | Fauji Karamveer Jaglan | E Major | 8 | 12B | 133 BPM | ||
| Wo Bhagat Sudama Chaal Padya | Azad Singh Khandakhedi | A Major | 8 | 11B | 142 BPM | ||
| Kiyu Roi Bata Tera Chala Na Pata | Mainpal Baseda, Satpal Dosa | G Minor | 10 | 6A | 125 BPM | ||
| Me Tha Ke Khu Kuran | Satpal Dosa, Mainpal Baseda | B♭ Major | 7 | 6B | 83 BPM | ||
| Pyar Main Radha Ji Bahut Royi | Poonam Shastri Ji | F♯ Major | 9 | 2B | 106 BPM | ||
| Sapna Te Aaya Beri | Rajkishan Agwanpuriya | F Major | 6 | 7B | 62 BPM | ||
| Bol K Bta Dil Khol K Bta | Sumit Kalanaur | D♭ Minor | 9 | 12A | 131 BPM | ||
| Man Re Esa Satguru Joi | Bhajnanand Ji Maharaj | G Major | 7 | 9B | 112 BPM | ||
| Goga Ji Ki Aarti | Jai Goga Jaharveer Ji | B♭ Minor | 7 | 3A | 130 BPM | ||
| Pappayo | Champa Methi | B♭ Major | 9 | 6B | 124 BPM |