James P. Johnson's 'Weeping Blues' had a release date set for 1992. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in James P. Johnson's "Harlem Stride Piano : 1921-1929" album is number 7 out of 25. On top of that, France appears to be the country where this track was created. Based on our statistics, Weeping Blues's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Weeping Blues by James P. Johnson to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| With Plenty Of Money And You | Hal Kemp And His Orchestra | G Minor | 1 | 6A | 184 BPM | ||
| Stardust - Remastered 2002 | Hoagy Carmichael | D Major | 2 | 10B | 72 BPM | ||
| Baby, Won't You Please Come Home | Jimmie Lunceford | F Major | 4 | 7B | 171 BPM | ||
| Bluin' The Blues - Remastered 1992 | Original Dixieland Jazz Band, Nick LaRocca | B♭ Major | 5 | 6B | 149 BPM | ||
| Gotta Dance | Jimmy Giuffre | A♭ Minor | 0 | 1A | 90 BPM | ||
| Jelly Roll Blues | Lu Watters Yerba Buena Jazz Band | B♭ Major | 6 | 6B | 166 BPM | ||
| Keepin' Out Of Mischief Now | James P. Johnson | C Major | 3 | 8B | 168 BPM | ||
| Back Room Romp | Rex Stewart & His 52nd St. Stompers | A♭ Major | 3 | 4B | 153 BPM | ||
| Back and Forth | Al Cohn, Joe Newman, Freddie Green | A♭ Major | 4 | 4B | 205 BPM | ||
| Georgia | Humphrey Lyttelton | C Major | 1 | 8B | 105 BPM | ||
| I Lost My Gal from Memphis | Bubber Miley | A Minor | 4 | 8A | 101 BPM | ||
| Stompin' At the Savoy | Jimmy Dorsey | G Minor | 2 | 6A | 119 BPM | ||
| G.T. Stomp | Earl Hines, Earl Hines Orchestra | A♭ Major | 5 | 4B | 126 BPM | ||
| Ain't Misbehavin' | James P. Johnson | G Minor | 2 | 6A | 119 BPM | ||
| Woodsheddin' with Woody | Woody Herman & His Orchestra | D♭ Major | 7 | 3B | 136 BPM | ||
| Harlem Shout | Jimmie Lunceford & His Orchestra | C Minor | 4 | 5A | 109 BPM | ||
| College Holiday I Adore You | Henry "Red" Allen | A Minor | 3 | 8A | 125 BPM | ||
| A Shanty in Old Shanty Town | Allan Vaché, Antti Sarpila, Ken Peplowski, Mark Shane, Len Skeat, Joe Ascione | C Major | 4 | 8B | 116 BPM | ||
| Just Gone | King Oliver's Creole Jazz Band | A Minor | 4 | 8A | 97 BPM | ||
| Fish Market | Roy Eldridge | C Minor | 4 | 5A | 125 BPM | ||
| Make Me a Pallet on Your Floor (Atlanta Blues) | The Buddy Bolden Legacy Band | F Major | 3 | 7B | 168 BPM | ||
| Embraceable You | Hazel Scott | F Major | 1 | 7B | 66 BPM | ||
| Stompin' at the Savoy | Chick Webb | B♭ Minor | 3 | 3A | 103 BPM | ||
| I Can't Believe That You're in Love with Me (feat. Lars Edegran's Jazz Band) | Doc Cheatham, Sammy Price, Lars Edegran's Jazz Band | B♭ Major | 4 | 6B | 167 BPM | ||
| Shake That Thing | Turk Murphy | A♭ Major | 5 | 4B | 177 BPM |