Gregory Tardy's ' "Serendipity" was released on its scheduled release date, January 1, 1998. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Serendipity". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, Serendipity's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Serendipity by Gregory Tardy having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Speak Low | Nils Landgren, Swedish Radio Symphony Orchestra | B♭ Minor | 6 | 3A | 118 BPM | ||
| Bird In A Cage - Live | Emily McCoy, Middlebrook Music, Gregory Tardy | C Major | 7 | 8B | 129 BPM | ||
| For the Culture | Jeremy Pelt | B♭ Minor | 6 | 3A | 118 BPM | ||
| Old Knew | Gregory Groover Jr., Joel Ross, Paul Cornish, Harish Raghavan, Kendrick Scott | F Minor | 4 | 4A | 134 BPM | ||
| The Spirit | AethericArtisan | A Minor | 2 | 8A | 115 BPM | ||
| Nocturne Drift | Arthur Glasswing | B♭ Minor | 6 | 3A | 118 BPM | ||
| Tokyo Waltz | Tom Ollendorff, James Maddren, Conor Chaplin, Aaron Parks | A Major | 2 | 11B | 153 BPM | ||
| How Deep Is The Ocean | Gregory Tardy | F Minor | 5 | 4A | 147 BPM | ||
| Fallen Reign | Orión Natera | F Minor | 2 | 4A | 107 BPM | ||
| Tutti Reverb | Jazzelle | C Minor | 2 | 5A | 122 BPM | ||
| Morningside Heights | Dave Whitman | G Minor | 1 | 6A | 143 BPM | ||
| Phoenix | SwisUp | B♭ Minor | 6 | 3A | 118 BPM | ||
| The Boat | Lluis Capdevila, Petros Klampanis, Luca Santaniello | A Minor | 0 | 8A | 74 BPM | ||
| Snap Back | Sax Lounge | C Minor | 6 | 5A | 182 BPM | ||
| Guardians of the Ashen Wastes | AethericArtisan | C Major | 4 | 8B | 109 BPM | ||
| Unlimited Access | The Jazz Room | C Minor | 2 | 5A | 101 BPM | ||
| Last Leap | Tom Ollendorff, James Maddren, Conor Chaplin, Aaron Parks | A Major | 2 | 11B | 153 BPM | ||
| Drumterlude, Pt. 5 | Ferenc Nemeth, Gregory Tardy, Tzumo Arpad | F♯ Minor | 4 | 11A | 105 BPM | ||
| Spring Can Really Hang You up the Most | James Muller, Ken Stubbs, Brett Hirst, Simon Barker | B♭ Minor | 6 | 3A | 118 BPM | ||
| Quiet Conversations | Sax Lounge | C Minor | 6 | 5A | 97 BPM | ||
| Mr. GT | Max Ionata, Jesper Bodilsen, Martin Maretti Andersen, Martin SjÖstedt | A♭ Minor | 6 | 1A | 123 BPM | ||
| Melancholy of Rita | Antonio Faraò, Stéphane Belmondo | B♭ Minor | 6 | 3A | 118 BPM | ||
| Fluidity | Niko de Oro | E Minor | 2 | 9A | 132 BPM | ||
| Blue Blood | Gustav Lundgren Quartet, Gustav Lundgren, Carl Bagge, Martin Hoper, Marc Michel | C Major | 5 | 8B | 118 BPM | ||
| The Firecracker Five | Bebop Mouse Band | E♭ Major | 3 | 5B | 100 BPM |