Leoš Janáček, Mikhail Rudy's 'Janáček: On an Overgrown Path, Book II: No. 2, Allegretto - Presto' had a release date set for July 29, 2022. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Leoš Janáček, Mikhail Rudy's "Janáček: Piano Works" album is number 19 out of 29. On top of that, France appears to be the country where this track was created. Janáček: On an Overgrown Path, Book II: No. 2, Allegretto - Presto is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Janáček: On an Overgrown Path, Book II: No. 2, Allegretto - Presto by Leoš Janáček, Mikhail Rudy to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prelude in E Minor, BWV 855/I (Arr. Siloti in B Minor) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 1 | 10A | 134 BPM | ||
| Busoni: Ich ruf' zu dir (After Bach's chorale prelude, BWV 639), BV B27 No. 5 | Ferruccio Busoni, Alexandre Tharaud | F Minor | 0 | 4A | 66 BPM | ||
| Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
| Jeux d'enfants, Op. 22: No. 3, La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
| The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM | ||
| Automne | Cécile Chaminade, Eric Parkin | D♭ Major | 1 | 3B | 69 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: I. Grave (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D Minor | 1 | 7A | 174 BPM | ||
| Nocturne No. 9 in E Minor, H. 46 | John Field, Alice Sara Ott | F Major | 0 | 7B | 67 BPM | ||
| The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 1: Pantomime | Leoš Janáček, Lucia Popp, Wiener Philharmoniker, Sir Charles Mackerras | F♯ Major | 1 | 2B | 167 BPM | ||
| 4 Impromptus, Op.90, D.899: No.3 in G Flat Major: Andante | Franz Schubert, Radu Lupu | F♯ Major | 0 | 2B | 173 BPM | ||
| Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
| Jenufa / Act 1: Jak razem vsecko to Stevkovo vypináni schiplo | Leoš Janáček, Wiesław Ochman, Elisabeth Söderström, Vaclav Zitek, Marie Mrazova, Jindra Pokorna, Wiener Philharmoniker, Sir Charles Mackerras | B Major | 3 | 1B | 168 BPM | ||
| The Cunning Little Vixen (Prihody Lisky Bystrousky) / Act 2: Kdbyste vedeli, co já videla | Leoš Janáček, Eva Zigmundova, Gertrude Jahn, Lucia Popp, Eva Randová, Ivana Mixova, Wiener Staatsopernchor, Wiener Philharmoniker, Sir Charles Mackerras | A♭ Major | 3 | 4B | 89 BPM | ||
| Nocturne No. 7 in Eb Major, FP. 56 | Francis Poulenc, Belle Chen | F Minor | 1 | 4A | 76 BPM | ||
| Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | ||
| Eccles: The Mad Lover: V. Aire. Ground (Arr. Diluka for Piano) | John Eccles, Shani Diluka | F Minor | 2 | 4A | 69 BPM | ||
| Lieder ohne Worte, Op.30: No. 6. Allegretto In F Sharp Minor, MWV U 110 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | F♯ Minor | 0 | 11A | 169 BPM | ||
| Taras Bulba: 2. The Death Of Ostap | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D♭ Minor | 1 | 12A | 118 BPM | ||
| Symphony No. 3 in F Major, Op. 90: III. Un poco allegretto (Version for piano 4 hands) | Johannes Brahms, Christian Kohn, Silke-Thora Matthies | C Minor | 0 | 5A | 92 BPM | ||
| 5 Pieces for Violin and Piano: I. Elegia. Andante larghetto | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM | ||
| Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
| Janáček: Concerto for Flute, Harp and Orchestra in C K299/K297c: II. Andantino | Leoš Janáček, Alberto Lizzio, Mozart Festival Orchestra, Peter Jankovic, Renata Modron | F Major | 0 | 7B | 68 BPM | ||
| Scriabin: 24 Preludes, Op. 11: No. 21 in B-Flat Major | Alexander Scriabin, Mikhail Pletnev | E♭ Major | 0 | 5B | 70 BPM | ||
| Cello Sonata in G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Stephen Hough, Steven Isserlis | E♭ Major | 0 | 5B | 53 BPM | ||
| In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM |