On October 8, 1964, the song "Climax Rag" was released by Max Morath. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Climax Rag's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Oh Play That Thing!". In this album, this song's track order is #3. In terms of popularity, Climax Rag is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Climax Rag by Max Morath having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Brotherly Love | The Charleston Chasers | F Major | 2 | 7B | 109 BPM | ||
| Gold Dust Twins Rag | Tom Brier | G Major | 3 | 9B | 110 BPM | ||
| He'd Have to Get Under - Get Out and Get Under | Maurice Abrahams, Anthony Godwin, Palm Court Theatre Orchestra | E♭ Major | 5 | 5B | 136 BPM | ||
| Casa Loma Stomp | Casa Loma Orchestra | F♯ Major | 3 | 2B | 134 BPM | ||
| Tea Dance Waltz | Franz Schmidt-Hagen | F Major | 3 | 7B | 84 BPM | ||
| Hindustan | Glen Gray, Casa Loma Orchestra | C Minor | 1 | 5A | 101 BPM | ||
| Piano Concerto in B-Flat (Tonight We Love) | Freddy Martin & His Orchestra, Freddy Martin, Charles Bealick, Edward Isidor Bergman, Eddie Stone, Jack Francis Fina, Russ Klein, Chris Richardson, Clyde Rogers, Norman L. Bailey, Harry O. McKeehan, Glenn Loren Hughes, Charles Probert, George Green, Robert Cecil White | D♭ Major | 2 | 3B | 79 BPM | ||
| Froggie Moore Blues | Jack Teagarden | E♭ Major | 6 | 5B | 187 BPM | ||
| King Porter Stomp | Jelly Roll Morton | D♭ Major | 1 | 3B | 96 BPM | ||
| Dardanella (Original Mix) | Ben Selvin | G Major | 4 | 9B | 92 BPM | ||
| Big Black Buffalo - 1943 | Raymond Scott, The CBS Orchestra | G Major | 4 | 9B | 114 BPM | ||
| Madagascar | Wilbur De Paris | A♭ Major | 4 | 4B | 76 BPM | ||
| Louisiana Bo-bo | The Charleston Chasers | F Major | 4 | 7B | 98 BPM | ||
| You're Driving Me Crazy | Jack Payne, His BBC Dance Orchestra | E♭ Major | 3 | 5B | 202 BPM | ||
| Shine on Harvest Moon | Mrs Mills | C Major | 4 | 8B | 116 BPM | ||
| Salty Dog | George Lewis | E♭ Major | 4 | 5B | 172 BPM | ||
| The Rocks | Mary Lou Williams | C Minor | 1 | 5A | 101 BPM | ||
| Close Shave | John Kirby, Charlie Shavers, Buster Bailey, Russell Procope, Billy Kyle, O'Neill Spencer | E♭ Major | 4 | 5B | 113 BPM | ||
| Serenade for a Stolen Night | Gypsy Swing Revue, Gypsy Jazz Caravan, Gypsy Jaz Mue-Zik, Cavendish Music | F♯ Major | 5 | 2B | 118 BPM | ||
| Sutter Chip Rag (feat. Tom Brier) | Larisa Migachyov, Tom Brier | C Major | 4 | 8B | 98 BPM | ||
| Restaurant Interior | Original Soundtrack | A Major | 2 | 11B | 115 BPM | ||
| Troubled | Bunny Berigan | E Minor | 6 | 9A | 95 BPM | ||
| Crying For The Carolines | James P. Johnson | E Minor | 3 | 9A | 137 BPM | ||
| Just Peachy | Tom Brier | E♭ Major | 3 | 5B | 173 BPM | ||
| Dagger of the Unraveling | Elian Tumbao | E Minor | 3 | 9A | 132 BPM |