Chon Ngài's ' "Come, Now Is the Time To Worship" was released on its scheduled release date, January 13, 2012. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 16 in Chon Ngài, Vol. 2 by Chon Ngài. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Come, Now Is the Time To Worship is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Come, Now Is the Time To Worship by Chon Ngài is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Christ Above Me | John Chisum | G Major | 7 | 9B | 159 BPM | ||
| The Hail Mary | Cheryl Rogers | A Major | 2 | 11B | 69 BPM | ||
| The One I Adore | Meredith James | C Major | 4 | 8B | 70 BPM | ||
| One Bread, One Cup | Chon Ngài | E Major | 4 | 12B | 172 BPM | ||
| Do Whatever He Tells You | Nick Cardilino | D Major | 6 | 10B | 98 BPM | ||
| Great Awakening | Oasis Worship | C Major | 4 | 8B | 169 BPM | ||
| Dear Lord And Father Of Mankind | The Worship Team | E♭ Major | 4 | 5B | 105 BPM | ||
| Oh Praise the Name (Anástasis) | Jared Alan Meyers | B Major | 4 | 1B | 144 BPM | ||
| Now Thank We All Our God | Toni Becker | G Major | 1 | 9B | 128 BPM | ||
| Where Two or Three Are Gathered | Liam Lawton | E Major | 3 | 12B | 105 BPM | ||
| Now I Belong to Jesus | Linda Coetzee | B Major | 1 | 1B | 74 BPM | ||
| How Great Though Art | Triune Echo | A Major | 2 | 11B | 100 BPM | ||
| Doxology | Mark Schultz | A♭ Major | 3 | 4B | 92 BPM | ||
| One Love Released | Bob Frenzel, Kevin Keil | F Major | 3 | 7B | 92 BPM | ||
| God Has Chosen Me | Bernadette Farrell, St. Thomas More Group | B♭ Major | 3 | 6B | 113 BPM | ||
| Bread, Blessed and Broken | Michael B. Lynch | D Major | 2 | 10B | 98 BPM | ||
| My Savior and My King | Carmelite Sisters of the Most Sacred Heart of Los Angeles | D♭ Major | 5 | 3B | 90 BPM | ||
| We Are Called | David Haas, Gary Daigle, Kate Cuddy, Benilde-St. Margaret's High School Choir | C Minor | 3 | 5A | 93 BPM | ||
| Everlasting Presence | Sambi Katano | B♭ Major | 4 | 6B | 105 BPM | ||
| The Lord Is Kind and Merciful | Jeanne Cotter | D♭ Major | 3 | 3B | 79 BPM | ||
| Lạy Mẹ Fatima | Vũ Khanh | F♯ Major | 4 | 2B | 82 BPM | ||
| Remain in Me, I Am the Vine | Steve Angrisano | G Major | 4 | 9B | 148 BPM | ||
| Purify My Heart | Brian Doerksen | E Major | 5 | 12B | 74 BPM | ||
| Psalm 19 (May The Words Of My Mouth) | Terry Butler | C Major | 4 | 8B | 88 BPM | ||
| Rise, O People, Called to Worship | Brian Blum | G Minor | 5 | 6A | 120 BPM |