"Righteous" by Donald Rubinstein had its release date on September 1, 2009. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Righteous's duration is considered a little bit shorter than the average duration of a typical track. This song is part of When She Kisses The Ship On His Arm by Donald Rubinstein. The song's track number on the album is #2 out of 13 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Righteous is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Righteous by Donald Rubinstein has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Righteous being at 100 BPM, the half-time would be 50 BPM with a double-time of 200 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Boat on the Water – Closing Theme 1 / Jason in the Lake | Harry Manfredini | C Major | 3 | 8B | 143 BPM | ||
| The Equestrian Vortex | Broadcast | A Minor | 5 | 8A | 89 BPM | ||
| Bucket of Blood - Excerpt from Carrie | Orchestra Sinfonica Di Milano, Pino Donaggio | F Major | 2 | 7B | 136 BPM | ||
| Soldier's Lament | Donald Rubinstein | A♭ Minor | 1 | 1A | 79 BPM | ||
| Margaret Comes Home / The Telephone Call | Pino Donaggio | B♭ Minor | 1 | 3A | 101 BPM | ||
| Amityville Horror Main Title | Lalo Schifrin | A Major | 3 | 11B | 69 BPM | ||
| Oblio | Goblin | A Major | 1 | 11B | 93 BPM | ||
| Ilusiones Y Realidades | Sergio Gómez Oliveros, Non Binary, Bellum Sanctus | E Minor | 3 | 9A | 65 BPM | ||
| Prison in Your Mind | Jim Williams | A♭ Major | 0 | 4B | 138 BPM | ||
| Christs 4 Sale | Alejandro Jodorowsky | A Minor | 2 | 8A | 81 BPM | ||
| Themes, Pt. I | Psychic TV | F Major | 0 | 7B | 57 BPM | ||
| Utrenja, Pt. II, "the Resurrection of Christ": V. Passover Canon, Song 8 | Krzysztof Penderecki, Iwona Hossa, Agnieszka Rehlis, Piotr Kusiewicz, Piotr Nowacki, Gennady Bezzubenkov, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | B♭ Major | 5 | 6B | 94 BPM | ||
| Corso And The Girl | Wojciech Kilar | C Major | 2 | 8B | 130 BPM | ||
| Motum | Radoslaw Pallarz, Ensemble Memoria Tenere, Ulrike Becker | F Major | 0 | 7B | 117 BPM | ||
| Cabala | Ataraxia, Mort Garson | A Minor | 4 | 8A | 67 BPM | ||
| The Demise of Mrs. Baylock | Jerry Goldsmith | D♭ Major | 4 | 3B | 120 BPM | ||
| The Dress Perspective (demonstration) | Cavern of Anti-Matter | B♭ Minor | 4 | 3A | 108 BPM | ||
| Epilogue | John Harrison | D♭ Major | 5 | 3B | 136 BPM | ||
| Creation | Mica Levi | E♭ Major | 9 | 5B | 59 BPM | ||
| It Was Always You, Helen | Philip Glass, Michael Riesman, The Western Wind | E♭ Major | 2 | 5B | 92 BPM | ||
| Belinda | Donald Rubinstein | A Minor | 1 | 8A | 100 BPM | ||
| For Cozy | Donald Rubinstein | D Minor | 1 | 7A | 111 BPM | ||
| Graysmith | David Shire | F Major | 0 | 7B | 172 BPM | ||
| Father's Day | John Harrison | C Major | 2 | 8B | 128 BPM | ||
| Toxic Moon | SQÜRL | A Minor | 1 | 8A | 73 BPM |