San Fermin's 'Billy Bibbit' had a release date set for April 21, 2015. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in San Fermin's "Jackrabbit" album is number 15 out of 15. On top of that, United States appears to be the country where this track was created. Billy Bibbit is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Billy Bibbit by San Fermin to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Too Much Time | John Vanderslice | E Major | 6 | 12B | 142 BPM | ||
| Just a Book | Bitter Ruin | D♭ Major | 7 | 3B | 112 BPM | ||
| The Wolf Song | Amanda Palmer, Jason Webley | A♭ Major | 6 | 4B | 174 BPM | ||
| When the End of the World Came | The Jane Austen Argument | F Major | 6 | 7B | 165 BPM | ||
| Long Gone | Mary Epworth | F Major | 6 | 7B | 120 BPM | ||
| There's a Wolf | Silences | D♭ Major | 5 | 3B | 150 BPM | ||
| Hover | Devil and the Deep Blue Sea | E Minor | 3 | 9A | 169 BPM | ||
| Table Song | Katie Kuffel | C Major | 4 | 8B | 105 BPM | ||
| Pelicans We | Cosmo Sheldrake | E Minor | 6 | 9A | 141 BPM | ||
| Far from Here | John Mark Nelson | D Major | 1 | 10B | 150 BPM | ||
| Just Like My Heart | Fault Lines | B♭ Minor | 6 | 3A | 101 BPM | ||
| Dear Fellow Traveller | Sea Wolf | B♭ Minor | 7 | 3A | 92 BPM | ||
| Wait for Me | Anaïs Mitchell, Justin Vernon, Ben Knox Miller | E Minor | 5 | 9A | 78 BPM | ||
| Ghost Stories | The Narcissist Cookbook | D Major | 5 | 10B | 111 BPM | ||
| Lovers | Kiltro | D Major | 9 | 10B | 162 BPM | ||
| Fathersunfunrun//Walk Towardson//Daniel Pennypacker | The Yellow Dress | B♭ Major | 8 | 6B | 133 BPM | ||
| White Words | Eliza Rickman | B Major | 1 | 1B | 101 BPM | ||
| Closer | The Tiny, Elle-Kari | D♭ Major | 1 | 3B | 74 BPM | ||
| Brave Little Buck | Marah in the Mainsail | G Major | 2 | 9B | 126 BPM | ||
| Run Rings Right Wrongs | Cosmo Sheldrake | F Minor | 7 | 4A | 130 BPM | ||
| Ember | Marah in the Mainsail | D♭ Minor | 7 | 12A | 166 BPM | ||
| Ofelia | Kiltro | G Minor | 7 | 6A | 120 BPM | ||
| The Moon and the Stars | John Mark Nelson | B Minor | 5 | 10A | 170 BPM | ||
| Big Dark Love | Murder By Death | G Minor | 5 | 6A | 65 BPM | ||
| Every Time | The Last Bison | C Major | 6 | 8B | 122 BPM |