Dianne Reeves's 'Come In' had a release date set for January 1, 1990. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Never Too Far". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. In terms of popularity, Come In is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Come In by Dianne Reeves having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hurry Hurry | Pete Belasco | B♭ Major | 3 | 6B | 102 BPM | ||
| I Remember Spring | Poncho Sanchez, Dianne Reeves | F Minor | 3 | 4A | 141 BPM | ||
| Superwoman (Where Were You When I Needed You) - Remastered | Noel Pointer | F Major | 8 | 7B | 96 BPM | ||
| Stormy Weather | Dianne Reeves, Tineke Postma | A Minor | 3 | 8A | 99 BPM | ||
| Gaia | Rachelle Ferrell | F Minor | 2 | 4A | 65 BPM | ||
| Love Isn't Always Enough | Jarrod Lawson | F♯ Major | 5 | 2B | 139 BPM | ||
| Part Time Lover | Beverlei Brown | D Minor | 6 | 7A | 87 BPM | ||
| Woman of Color ( Brothers To Sisters Remix) | Gary Taylor | G Minor | 2 | 6A | 99 BPM | ||
| Learning to Love Again | Christopher Williams | F Major | 4 | 7B | 104 BPM | ||
| Yesterdays | Dianne Reeves | F Minor | 3 | 4A | 131 BPM | ||
| So Good, So Right | Brenda Russell | D Major | 4 | 10B | 145 BPM | ||
| You Got Me (feat. Jarrod Lawson) | Chris Turner, Jarrod Lawson | C Major | 6 | 8B | 134 BPM | ||
| Falling | Melba Moore | A Minor | 7 | 8A | 106 BPM | ||
| Much Love | Euge Groove, Rahsaan Patterson | B Major | 6 | 1B | 91 BPM | ||
| I Love You Like You Are | Ray Parker Jr. | B♭ Major | 6 | 6B | 148 BPM | ||
| No Rhyme No Reason | Marion Meadows | G Minor | 4 | 6A | 128 BPM | ||
| The Best Of My Love - 2004 Digital Remaster | T-Connection | E Minor | 5 | 9A | 168 BPM | ||
| Good Morning Heartache | Miki Howard | E Minor | 3 | 9A | 111 BPM | ||
| Actions Speak Louder Than Words | Frank Mccomb | D♭ Major | 5 | 3B | 85 BPM | ||
| You And Me | George Howard, Manny Lopez, Nicky Orta, Dee Dee Wilde, Phil Nicolo | B♭ Major | 5 | 6B | 86 BPM | ||
| Imaginations | Miki Howard | C Minor | 2 | 5A | 69 BPM | ||
| Not Have | Henry Lambert | C Major | 7 | 8B | 100 BPM | ||
| Heart, Mind & Soul | El DeBarge | F Major | 6 | 7B | 96 BPM | ||
| But I Love You | Miki Howard | F Minor | 5 | 4A | 134 BPM | ||
| Love Is A Losing Game | Kirk Whalum, Jevetta Steele | D♭ Minor | 5 | 12A | 90 BPM |