"Hoffmann: Schlage doch, gewünschte Stunde (Formerly Attributed to JS Bach as BWV 53)" by Melchior Hoffmann, Jean-François Paillard, Birgit Finnilä, Marie-Claire Alain, Orchestre de chambre Jean-François Paillard had its release date on March 25, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 162 out of 169 in Bach: Brandenburg Concertos, Keyboard Concertos, Violin Concertos & Orchestral Suites by Johann Sebastian Bach, Jean-François Paillard. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Hoffmann: Schlage doch, gewünschte Stunde (Formerly Attributed to JS Bach as BWV 53) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hoffmann: Schlage doch, gewünschte Stunde (Formerly Attributed to JS Bach as BWV 53) by Melchior Hoffmann, Jean-François Paillard, Birgit Finnilä, Marie-Claire Alain, Orchestre de chambre Jean-François Paillard is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Purcell: Timon of Athens, Z. 632: Curtain Tune on a Ground | Henry Purcell, John Eliot Gardiner, English Baroque Soloists | A♭ Major | 0 | 4B | 93 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad faciem: Concerto "Amen" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
| Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 139 BPM | ||
| Magnificat für Sopran, Flauto Traverso, zwei Violinen, Viola und B.c.: II. Denn er hat seine elende Magd angesehen (Recitativo) | Melchior Hoffmann, Elbipolis, Deborah York | B Major | 2 | 1B | 70 BPM | ||
| Maddalena ai piedi di Cristo: No. 10 Aria Maddalena "In un bivio è il mio volere" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr | A♭ Major | 1 | 4B | 68 BPM | ||
| Missa Divi Xaverii, ZWV 12: Domine Deus I | Jan Dismas Zelenka, Václav Čížek, Collegium 1704, Vaclav Luks | E Major | 0 | 12B | 80 BPM | ||
| Vespro della Beata Vergine, SV 206: Psalmus "Laetatus sum" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | G Minor | 3 | 6A | 91 BPM | ||
| Rhea Sylvia: Ich will euch kussen, liebste Wangen | Melchior Hoffmann, Jan Kobow, United Continuo Ensemble | F♯ Major | 0 | 2B | 90 BPM | ||
| Te Deum, H. 146: IX. "Fiat misericordia tua Domine" | Marc-Antoine Charpentier, Véronique Gens, Noemi Rime, Bernard Deletré, Les Arts Florissants, William Christie | D♭ Major | 0 | 3B | 106 BPM | ||
| Magnificat, Wq. 215: Magnificat, Wq. 215: 7. Arie. Suscepit Israel puerum suum (A) | Carl Philipp Emanuel Bach, Wiebke Lehmkuhl, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D♭ Minor | 0 | 12A | 74 BPM | ||
| Haydn: The Seasons, Hob. XXI:3, Winter: No. 42, Terzett und Doppelchor. "Dann bricht der grösse Morgen an" (Simon, Lukas, Hanne, Chor) | Joseph Haydn, Nikolaus Harnoncourt, Angela Maria Blasi, Arnold Schoenberg Chor, Josef Protschka, Robert Holl, Wiener Symphoniker | B Minor | 1 | 10A | 81 BPM | ||
| Magnificat, Wq. 215: Magnificat, Wq. 215: 9. Chor. Sicut erat in principio | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D♭ Major | 3 | 3B | 98 BPM | ||
| Stabat Mater (Hob. XXbis) 1767: I. Stabat Mater Dolorosa | Joseph Haydn, Anthony Rolfe Johnson, The English Concert, Trevor Pinnock, The English Concert Choir | B Minor | 1 | 10A | 135 BPM | ||
| Magnificat für Sopran, Flauto Traverso, zwei Violinen, Viola und B.c.: I. Meine Seele erhebt den Herren (Aria) | Melchior Hoffmann, Elbipolis, Deborah York | F♯ Major | 6 | 2B | 100 BPM | ||
| Ich bin ein guter Hirt, BWV 85: II. Aria. Jesus ist ein guter Hirt | Johann Sebastian Bach, Le Banquet Céleste, Alexander Chance | A♭ Minor | 0 | 1A | 81 BPM | ||
| The Tempest, Z. 631, "The Enchanted Island": Masque Of Spirits, Act II, No. 6 (Song and Chorus) | Thomas Shadwell, Meredith Hall, Aradia Ensemble, Rosemarie van der Hooft, Brett Polegato, Paul Grindlay, Nils Brown, Michael Colvin, Gillian Keith, John Dryden, Henry Purcell | B Major | 0 | 1B | 82 BPM | ||
| St. Matthew Passion, Bwv 244: Pt. I: Aria. So ist mein Jesus nun gefangen (Soprano, Alto, Chorus) | Johann Sebastian Bach, Christoph Prégardien, Klaus Mertens, Monika Frimmer, Veronika Winter, Lena Susanne Norin, Wilfried Jochens, Hans-Georg Wimmer, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | D♭ Major | 1 | 3B | 111 BPM | ||
| Purcell : King Arthur : Act 2 "How blest are shepherds" [Tenor, Chorus] | William Christie | F Major | 0 | 7B | 100 BPM | ||
| Miserere in C minor: Misere II | Thomas Hengelbrock | B Major | 1 | 1B | 104 BPM | ||
| Missa in D-Dur, KV194: Sanctus | Chor und Orchester von St. Augustin, Alexander Kaimbacher, Andreas Pixner, Martina Steffl, Cornelia Horak, Klemens Sander | D Major | 2 | 10B | 114 BPM | ||
| Matthäuspassion, BWV 244: Duet. So ist mein Jesus nun gefangen | Johann Sebastian Bach, Marianne Beate Kielland, Claudia Couwenbergh, Knaben des Kölner Domchores, Dresdner Kammerchor, Kolner Kammerorchester, Helmut Müller-Brühl | A Minor | 0 | 8A | 96 BPM | ||
| Ouverture in G Major: I. Ouverture | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 4 | 7B | 123 BPM | ||
| Litaniae Omnium Sanctorum, ZWV 153: Propitius esto | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | A♭ Major | 2 | 4B | 121 BPM | ||
| Die Furcht des Herren | Johann Christoph Bach, Vox Luminis, Lionel Meunier, Kristen Witmer | E Major | 1 | 12B | 77 BPM | ||
| Miserere in C Minor (Version for Mixed Choir): VII. Gloria Patri | Johann Adolf Hasse, Accademia Barocca Lucernensis, Alberto Miguélez Rouco, Javier Ulises Illán | B Major | 3 | 1B | 99 BPM |