"Spiders, Op. 48: I. The Dancing White Lady" by Paul Patterson, Lavinia Meijer had its release date on January 1, 2009. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Visions by Lavinia Meijer. The song's track number on the album is #6 out of 15 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Spiders, Op. 48: I. The Dancing White Lady is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Spiders, Op. 48: I. The Dancing White Lady by Paul Patterson, Lavinia Meijer has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Spiders, Op. 48: I. The Dancing White Lady being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: IX. Das Diner | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson | F Minor | 0 | 4A | 70 BPM | ||
| 3 Latin American Sketches: Paisaje Mexicano | Aaron Copland, Nashville Chamber Orchestra, Paul Gambill | F♯ Major | 0 | 2B | 70 BPM | ||
| Gil Blas: Theme. Allegro vivo | Jules Strens, Matty Cilissen, Royal Band of the Belgian Air Force | F Minor | 0 | 4A | 176 BPM | ||
| Debussy Cakewalking | Belize Ensemble | C Minor | 1 | 5A | 83 BPM | ||
| Kreisler: Marche miniature viennoise (Arr. Lehn for Trumpet and Orchestra) | Fritz Kreisler, Lucienne Renaudin Vary, Sascha Goetzel, Orchestre de chambre de Paris | D Major | 1 | 10B | 100 BPM | ||
| Canonic Lullaby for Harp and Flute | Paul Patterson, Philip Glass, Bernard Andrès, Jacques Charpentier, Lowell Liebermann, Veronika Lemishenko, Alexandra Ushakova | F Major | 0 | 7B | 178 BPM | ||
| El Amor brujo: Quadre Segon: Introduccion | Manuel de Falla, Ginesa Ortega, Josep Pons, Orquestra De Cambra Teatre Lliure | G Major | 0 | 9B | 85 BPM | ||
| Suite en miniature, Op. 1: IV. Menuetto | Vitezslava Kaprálová, Appassionato, Mathieu Herzog | G Major | 2 | 9B | 168 BPM | ||
| Scaramouche, Op. 165c: III. Brazileira | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | F Major | 3 | 7B | 72 BPM | ||
| Violin Concerto No. 2, Op. 112 "Serenade": II. Barcarolle | Paul Patterson, Clare Howick, BBC Scottish Symphony Orchestra, Grant Llewellyn | G Major | 0 | 9B | 136 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Angela Cheng, Jens Lindemann, CBC Radio Orchestra, Mario Bernardi | C Minor | 0 | 5A | 175 BPM | ||
| Herzlich tut mich verlangen, BWV 727 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Holst: St. Paul's Suite, Op. 29 No. 2: IV. Finale. The Dargason | Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
| Summer Music, Op. 31: III. Faster | Samuel Barber, Ensemble Ouranos | F Minor | 0 | 4A | 70 BPM | ||
| Lonely Waters, R. 28 | Ernest John Moeran, Vernon Handley, Ulster Orchestra | F♯ Major | 0 | 2B | 80 BPM | ||
| Love's Labour's Lost, Op. 28: 2. Soliloquy 2: Did not the heavenly rhetoric of thine eye - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | F Major | 0 | 7B | 72 BPM | ||
| Color Field: I. Yellow | Anna Clyne, Baltimore Symphony Orchestra, Marin Alsop | G Major | 1 | 9B | 98 BPM | ||
| Duologue: IV. ♩ = 168 - First Recording | Paul Patterson, Nicholas Daniel, Julius Drake | D♭ Major | 4 | 3B | 114 BPM | ||
| Rêve Astral | Etoilee | F Minor | 8 | 4A | 119 BPM | ||
| Silent Tears | Orithia | A Minor | 0 | 8A | 76 BPM | ||
| The Story Of A Flemish Farm Suite: Night By The Sea - Farewell To The Flag | RTE Concert Orchestra, Ralph Vaughan Williams | F Minor | 0 | 4A | 107 BPM | ||
| Walton: Henry V: Passacaglia "The Death of Falstaff" | William Walton, Douglas Boyd, Chamber Orchestra of Europe | E Minor | 0 | 9A | 86 BPM | ||
| II. Adagio | Paul Patterson, Duo Kallos | D Major | 0 | 10B | 77 BPM | ||
| Hassan, RTI/9: Serenade (Arr. Thomas Beecham) | Frederick Delius, Sir Thomas Beecham, Adelaide Symphony Orchestra, Alan Smith, Ron Spigelman | F Major | 0 | 7B | 84 BPM | ||
| The Winter's Tale, Act I: Prologue | Joby Talbot, Orchestra of the Royal Opera House, Covent Garden, Koen Kessels | E♭ Minor | 1 | 2A | 120 BPM |