The Delfonics's ' "Seventeen (And In Love)" was released on its scheduled release date, January 1, 1974. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 11 in Alive & Kicking by The Delfonics. Based on our statistics, Seventeen (And In Love)'s popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Seventeen (And In Love) by The Delfonics is Vivace (lively and fast), since this song has a tempo of 159 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| (So You Think) Somethin's Missin' | Windy City | A Minor | 7 | 8A | 104 BPM | ||
| Cross My Heart | Billy Stewart | D Major | 6 | 10B | 77 BPM | ||
| Tightrope | Junie Morrison | D Minor | 7 | 7A | 104 BPM | ||
| What a Woman Really Means | Donny Hathaway | F♯ Major | 5 | 2B | 157 BPM | ||
| Sunrise | The Originals | B♭ Major | 5 | 6B | 136 BPM | ||
| What's Left to Give (After Giving It All) | The Whatnauts | F Major | 6 | 7B | 134 BPM | ||
| What Have I Done? | Billy Stewart | A♭ Major | 6 | 4B | 174 BPM | ||
| Feel Free | Four Tops | G Major | 7 | 9B | 162 BPM | ||
| Hurt so Bad | The Delfonics | F♯ Minor | 5 | 11A | 125 BPM | ||
| We Did It Baby (Pt. 1) | General Lee, The Space Army Band | F♯ Minor | 4 | 11A | 86 BPM | ||
| Hangin on to a Lie | Natural Four | A♭ Major | 6 | 4B | 120 BPM | ||
| Wish That I Could Talk to You | The Sylvers | B Minor | 8 | 10A | 143 BPM | ||
| I Love, I Love - 45 Version | The Temprees | D Major | 6 | 10B | 164 BPM | ||
| Baby, I'm For Real | The Originals | F Major | 3 | 7B | 150 BPM | ||
| Loving You Makes The World Go Round | The Family Circle | G Major | 4 | 9B | 185 BPM | ||
| Lovin' Feeling | The Charmels | A♭ Major | 5 | 4B | 96 BPM | ||
| Wherever You Leadeth Me | The Impressions / Curtis Mayfield | A♭ Major | 7 | 4B | 90 BPM | ||
| Right Here Is Where I Want To Be | Archie Bell & The Drells | F♯ Major | 5 | 2B | 132 BPM | ||
| Dream Merchant | The New Birth | F Minor | 6 | 4A | 152 BPM | ||
| Don't Love Hurt | The Pace-Setters | A Major | 6 | 11B | 115 BPM | ||
| I Can't Stand To See You Cry | The Escorts | D♭ Major | 6 | 3B | 139 BPM | ||
| You're Mine | Archie Bell & The Drells | F Major | 4 | 7B | 135 BPM | ||
| Hypnotized | Linda Jones | B Major | 7 | 1B | 73 BPM | ||
| Holdin' On | Dexter Wansel | F♯ Minor | 3 | 11A | 205 BPM | ||
| Breaking Out All Over | Lamont Dozier | A Minor | 8 | 8A | 107 BPM |