Rune Gustafsson's 'By the Time I Get to Phoenix' had a release date set for 1969. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "Rune At The Top". In this album, this song's track order is #9. Based on our statistics, By the Time I Get to Phoenix's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With By the Time I Get to Phoenix by Rune Gustafsson having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Long Time | Ewan Svensson | F♯ Minor | 5 | 11A | 176 BPM | ||
| Understand | Austyn Ziemann | A Minor | 1 | 8A | 118 BPM | ||
| Manhattan After Dark | The 50th Floor | G Minor | 2 | 6A | 126 BPM | ||
| Lo Que Esconden Mis Manos | Horacio Sax | G Minor | 2 | 6A | 126 BPM | ||
| Solen er så rød mor | Thomas Fonnesbæk, Lars Jansson, Paul Svanberg | C Major | 1 | 8B | 104 BPM | ||
| 편안한 호텔 라운지 | 피아노 재즈 음악 | F♯ Major | 4 | 2B | 111 BPM | ||
| How High the Moon | Sylvia Vrethammar, Rune Gustafsson | E Minor | 0 | 9A | 99 BPM | ||
| Never Since November | Gary Cole Quartet | C Major | 2 | 8B | 131 BPM | ||
| Apostrophe | Lars Gullin | D♭ Major | 3 | 3B | 97 BPM | ||
| The Midnight Sun Never Sets | Quincy Jones, Harry Arnold, The Swedish Radio Studio Orchestra | D Major | 1 | 10B | 118 BPM | ||
| The Subtle Riff of Affection | Nu Braz, Glen Lucas, Atlantic Five Sax Department | G Minor | 2 | 6A | 83 BPM | ||
| Afternoon Light on the Sax Case | Scott Sanders | C Major | 0 | 8B | 65 BPM | ||
| Notes | Noirettes | C Major | 1 | 8B | 70 BPM | ||
| Ethereal Echoes | Mystique Melody | B♭ Minor | 1 | 3A | 124 BPM | ||
| The Table Still Warm | The Jazzlight Trio | G Minor | 2 | 6A | 126 BPM | ||
| Allt detta och himlen därtill | Annica Risberg, Rune Gustafsson | A Major | 0 | 11B | 115 BPM | ||
| En mun är hälften av en kyss | Kjellmor, Claes Janson, Kjell Öhman Orchestra | A Minor | 0 | 8A | 168 BPM | ||
| After You're Gone | Rebecka Törnqvist, Per 'Texas' Johansson | C Minor | 2 | 5A | 82 BPM | ||
| Warm Light, Cold Thoughts | Pause maybe? | F Minor | 3 | 4A | 176 BPM | ||
| 4:00 AM | Esbjörn Svensson Trio | B♭ Minor | 0 | 3A | 105 BPM | ||
| À La Carte | Lars Gullin | C Major | 2 | 8B | 175 BPM | ||
| Loon Harmony | Tjazzy | C Major | 0 | 8B | 120 BPM | ||
| If You Live | Rune Gustafsson | B♭ Major | 2 | 6B | 81 BPM | ||
| Born Blue | Gary Cole Quartet | F♯ Minor | 2 | 11A | 137 BPM | ||
| Dagger of the Unraveling | Elian Tumbao | E Minor | 3 | 9A | 132 BPM |