Billy & Mary Mack's 'How Could My Good Man Turn His Back On Me Now' had a release date set for June 28, 2005. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. How Could My Good Man Turn His Back On Me Now's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 24 in Clarence Williams & The Blues Singers Vol. 1 (1923-1928) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. How Could My Good Man Turn His Back On Me Now is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of How Could My Good Man Turn His Back On Me Now by Billy & Mary Mack is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The One Rose (That's Left In My Heart) | Bea Wain | A♭ Major | 1 | 4B | 180 BPM | ||
| Dope Head Blues | Victoria Spivey | C Major | 2 | 8B | 80 BPM | ||
| The Roving Cowboy | Buell Kazee | E Major | 4 | 12B | 94 BPM | ||
| Love, Your Spell Is Everywhere | Ben Selvin & His Orchestra | G Major | 7 | 9B | 179 BPM | ||
| Ain't We Got Fun | Fanny Brice | G Major | 2 | 9B | 67 BPM | ||
| Stuttering Blues | Tiny Parham And His Musicians | E♭ Major | 2 | 5B | 132 BPM | ||
| Sugar Blues - Remastered 1988 | Leona Williams | A♭ Major | 1 | 4B | 118 BPM | ||
| I'm Wondering Who | Bix Beiderbecke | A♭ Major | 3 | 4B | 90 BPM | ||
| There Ain't No Land Like Dixieland to Me (feat. Bix Beiderbecke & Frank Trumbauer) | Broadway Bell Hops, Bix Beiderbecke, Frank Trumbauer | B♭ Major | 3 | 6B | 206 BPM | ||
| Can't We Be Friends? | Libby Holman | B♭ Major | 2 | 6B | 79 BPM | ||
| The Aba Daba Honeymoon (Victor 17620A) [Recorded 1914] | Arthur Collins, Byron Harlan | C Major | 3 | 8B | 95 BPM | ||
| You Mean So Much to Me | Lil Armstrong | B♭ Major | 6 | 6B | 116 BPM | ||
| Jet Propelled Papa | Helen Humes | F Major | 1 | 7B | 96 BPM | ||
| Nobody's Fool (Recorded October, 1921) | Dolly Kay | C Major | 3 | 8B | 149 BPM | ||
| Struttin' blues - Remastered 1988 | Leona Williams | F Major | 1 | 7B | 120 BPM | ||
| Since I've Been with You | Julia Lee And Her Boyfriends | G Major | 7 | 9B | 179 BPM | ||
| Everybody Wants a Key to My Cellar | Bert Williams | F♯ Major | 2 | 2B | 91 BPM | ||
| That's Why I Love You | Annette Hanshaw | F♯ Major | 1 | 2B | 80 BPM | ||
| Yes Indeed He Do | Porter Grainger, Ernest Elliott, Bob Fuller, Bessie Smith | A♭ Major | 3 | 4B | 120 BPM | ||
| In My Heart It's You | Isham Jones | G Major | 3 | 9B | 177 BPM | ||
| The Goldigger (Recorded August 1923) | Dolly Kay | F♯ Major | 1 | 2B | 143 BPM | ||
| When My Sugar Walks Down the Street (Recorded January, 1925) | Aileen Stanley | F Major | 1 | 7B | 122 BPM | ||
| My Man | Fanny Brice | E Minor | 1 | 9A | 134 BPM | ||
| Don't Let The Moon Get Away | Dick Jurgens & His Orchestra, Eddy Howard | C Major | 1 | 8B | 117 BPM | ||
| Funny Feathers | Victoria Spivey | G Major | 7 | 9B | 179 BPM |