"Rats" by Francesco D'andrea had its release date on July 19, 2020. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Rats's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 6 in Fragments and Its Overtones by Francesco D'andrea. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Rats is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rats by Francesco D'andrea is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Elephant Waltz | Anne Nikitin, Jessica Jones | G Major | 2 | 9B | 94 BPM | ||
| The Architect | Kerry Muzzey, Andrew Skeet, The Chamber Orchestra Of London | D Minor | 5 | 7A | 128 BPM | ||
| Weaving Thorn | Ghostwriter | G Minor | 4 | 6A | 100 BPM | ||
| Softly | Claudio Constantini | A Minor | 1 | 8A | 170 BPM | ||
| Glass Dance | David A. Molina | B Minor | 4 | 10A | 80 BPM | ||
| Tombeau de Vivaldi - Spearfisher Remix | Spearfisher, Cicely Parnas | G Minor | 7 | 6A | 114 BPM | ||
| Deja Vu | Ilya Beshevli | A Minor | 2 | 8A | 144 BPM | ||
| Always Improving | Guy Skornik, Elisabeth Skornik | A♭ Major | 3 | 4B | 140 BPM | ||
| Of All Things | Johannes Bornlöf, David Celeste | C Minor | 2 | 5A | 73 BPM | ||
| The First 48 | Joseph William Morgan | D Major | 4 | 10B | 140 BPM | ||
| Queen Of The Night | Grace Davidson, Patrick Thomas Hawes | D Minor | 4 | 7A | 112 BPM | ||
| Silver Linings | Hendyamps Studios, Aimee Norris | F Major | 2 | 7B | 78 BPM | ||
| Van Gogh | Pedro Meirelles | A Minor | 2 | 8A | 200 BPM | ||
| Time Machine Suite / Scherzo | Elisabeth Skornik, Guy Skornik | F Major | 2 | 7B | 94 BPM | ||
| White Flowers Take Their Bath | Meredi, Mari Samuelsen, Scoring Berlin, Jonathan Stockhammer | A Major | 1 | 11B | 97 BPM | ||
| Gypsy | Francesco D'andrea | G Minor | 6 | 6A | 137 BPM | ||
| The Time Factor | Elisabeth Skornik, Guy Skornik | F Major | 2 | 7B | 94 BPM | ||
| Echoes of the Past | Gabriel Saban | A Minor | 9 | 8A | 105 BPM | ||
| Penumbra | Hannah Parrott | G Major | 4 | 9B | 120 BPM | ||
| Jusqu'au bout | Armand Amar | G Minor | 1 | 6A | 180 BPM | ||
| Bloom | Brianna Tam | C Minor | 3 | 5A | 105 BPM | ||
| Beginning to End: Act II | Hendyamps Studios | C Minor | 1 | 5A | 82 BPM | ||
| Beginning to End: Act VI | Hendyamps Studios, Aimee Norris | C Minor | 3 | 5A | 110 BPM | ||
| Passing On | Samuel Bohn | A Minor | 4 | 8A | 89 BPM | ||
| Raincoat Waltz | Franz Gordon, Hanna Ekström, Anna Dager | C Minor | 1 | 5A | 114 BPM |