"The Call" by Chuck Johnson had its release date on June 30, 2023. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Chuck Johnson's "Music From Burden Of Proof" album is number 11 out of 16. On top of that, United Kingdom appears to be the country where this track was created. The Call is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Call by Chuck Johnson to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Whispers | Loren Connors | D Major | 0 | 10B | 69 BPM | ||
| The Laurel | Chuck Johnson | A Major | 2 | 11B | 73 BPM | ||
| anteludium | Luke Schneider | C Major | 3 | 8B | 99 BPM | ||
| Continuo | Barry Walker Jr. | B Major | 2 | 1B | 71 BPM | ||
| Jammu | Bitchin Bajas | F Major | 3 | 7B | 157 BPM | ||
| Sketches | Daniel Lanois | B Minor | 1 | 10A | 137 BPM | ||
| Key Biscayne | Spencer Zahn | A Major | 3 | 11B | 119 BPM | ||
| Todos Santos | Daniel Lanois | E Major | 1 | 12B | 77 BPM | ||
| Rivers That You Cannot See | North Americans | G Major | 2 | 9B | 74 BPM | ||
| Eventual Surrender | William Tyler | C Major | 3 | 8B | 80 BPM | ||
| Bumblin' Creed | Padang Food Tigers & Sigbjørn Apeland | B Major | 3 | 1B | 128 BPM | ||
| Us | Western Skies Motel | B♭ Minor | 3 | 3A | 157 BPM | ||
| The Crossing | The Seven Fields Of Aphelion | A Minor | 3 | 8A | 88 BPM | ||
| Snowy Night Tale | Masayoshi Fujita | A♭ Minor | 1 | 1A | 95 BPM | ||
| Eye on the Sparrow | Chuck Johnson | A Major | 1 | 11B | 70 BPM | ||
| Gone West | Steve Roach, Roger King | B Major | 1 | 1B | 117 BPM | ||
| Fårö | Martyn Heyne | D♭ Major | 1 | 3B | 186 BPM | ||
| Damhoud | Zahra Bouaziz | G Major | 3 | 9B | 152 BPM | ||
| Kläppen | Golden Ivy | D Major | 3 | 10B | 79 BPM | ||
| Freeway Flex | Andrew Tuttle | F Major | 1 | 7B | 78 BPM | ||
| Private Violence | Chuck Johnson | D Major | 0 | 10B | 137 BPM | ||
| A Far Green Country | Golden Brown | C Major | 2 | 8B | 91 BPM | ||
| Wawa by the Ocean | Mary Lattimore | D Major | 4 | 10B | 134 BPM | ||
| Superior Mirage | Chuck Johnson | D Major | 3 | 10B | 136 BPM | ||
| A Gathering to Lead Me When You're Gone | Brian McBride | C Major | 1 | 8B | 68 BPM |