Shah Rukh Khan, Madhuri Dixit, Tiku Talsania's 'Dialogue: Dev Arrives Drunk At His Father's Funeral' had a release date set for January 1, 2002. With This song being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 23 in Devdas - An Adaptation Of Sarat Chandra Chattopadhyay's "Devdas" by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Dialogue: Dev Arrives Drunk At His Father's Funeral's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Dialogue: Dev Arrives Drunk At His Father's Funeral by Shah Rukh Khan, Madhuri Dixit, Tiku Talsania is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bhatke Panchhi | Chithra | C Major | 6 | 8B | 104 BPM | ||
| Dulha Mil Gaya | Daler Mehndi | B Minor | 9 | 10A | 105 BPM | ||
| Roop Tera Mastana (From "Aradhana") | Kishore Kumar | A♭ Minor | 5 | 1A | 83 BPM | ||
| King of Bollywood | Shah Rukh Khan | F Minor | 5 | 4A | 140 BPM | ||
| Bhangda Paale | Sadhana Sargam, Mohammed Aziz, Sudesh Bhosle | D♭ Major | 6 | 3B | 133 BPM | ||
| Hum Saath-Saath Hain - From "Hum Saath-Saath Hain" | Hariharan, Anuradha Paudwal | E♭ Major | 6 | 5B | 85 BPM | ||
| Raj Aryan Asks Narayan Shankar For Holi | Shah Rukh Khan | C Major | 5 | 8B | 92 BPM | ||
| What Is Mobile Number | Sonu Nigam, Alka Yagnik | G Major | 6 | 9B | 127 BPM | ||
| Lafzon Mein | Abhijeet Sawant, Biddu | E♭ Minor | 4 | 2A | 154 BPM | ||
| Chaand Taare (From "Yes Boss") | Abhijeet | G Major | 4 | 9B | 92 BPM | ||
| Ae Ajnabi (From "Dil Se") | Udit Narayan, Mahalakshmi Iyer | B Minor | 3 | 10A | 122 BPM | ||
| Rang De | Asha Bhosle | A Minor | 5 | 8A | 122 BPM | ||
| Loot Gaye | Shaswati Phukan, Dev Kohli | B Major | 10 | 1B | 152 BPM | ||
| Kabhi Neem Neem | Madhushree, A.R. Rahman | C Major | 4 | 8B | 176 BPM | ||
| Kamli | Vikram Kohlewala, Shah Rukh Khan | F♯ Major | 8 | 2B | 100 BPM | ||
| Yaar Bina Chain Kanha Ray | Bappi Lahiri, S. Janaki | E Major | 5 | 12B | 131 BPM | ||
| Hard Style | Shah Rukh Khan | B♭ Major | 4 | 6B | 92 BPM | ||
| Lage Raho Munna Bhai | Vinod Rathod, Sanjivni | E Major | 6 | 12B | 134 BPM | ||
| Jag Ghoomeya - Salman Khan Version | Vishal-Shekhar, Salman Khan, Irshad Kamil | B Major | 7 | 1B | 83 BPM | ||
| Stop That | Devang Patel | F Major | 9 | 7B | 90 BPM | ||
| Ye Kaali Kaali Aankhen (From "Baazigar") | Kumar Sanu, Anu Malik | C Major | 7 | 8B | 122 BPM | ||
| Bhula Diya | Anand Raj Anand | D♭ Minor | 9 | 12A | 118 BPM | ||
| Mere Khwabon Mein (From "Dilwale Dulhania Le Jayenge") | Lata Mangeshkar | G Minor | 5 | 6A | 115 BPM | ||
| Pari Pari | Babul Supriyo | A♭ Major | 6 | 4B | 158 BPM | ||
| Koi Na Koi Chahiye - From "Deewana" | Vinod Rathod | B Minor | 7 | 10A | 124 BPM |