"The Day We Left Town" by Magnet had its release date on July 7, 2003. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "On Your Side". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Day We Left Town's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Day We Left Town by Magnet having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Reduse | Magnet | G Major | 7 | 9B | 98 BPM | ||
| Aretha | Rumer | B♭ Major | 3 | 6B | 83 BPM | ||
| Blue Moon Revisited (Song For Elvis) | Cowboy Junkies | C Major | 1 | 8B | 96 BPM | ||
| Riverbed - feat. Thomas Dybdahl | Morcheeba, Thomas Dybdahl | A Major | 5 | 11B | 90 BPM | ||
| So Light Is Her Footfall | Air | F♯ Minor | 8 | 11A | 130 BPM | ||
| Let It Die | Feist | G Major | 2 | 9B | 115 BPM | ||
| Secret Heart | Feist | G Major | 4 | 9B | 101 BPM | ||
| Flight Attendant | Josh Rouse | B Minor | 4 | 10A | 120 BPM | ||
| Sail into the Sun | The Funky Lowlives | A Major | 4 | 11B | 80 BPM | ||
| Where To Start | Lou Doillon | C Major | 2 | 8B | 180 BPM | ||
| Change Of Heart | El Perro del Mar | F♯ Minor | 4 | 11A | 88 BPM | ||
| Lie Down In Darkness | Moby | E Minor | 7 | 9A | 95 BPM | ||
| Both Sides Now | Joni Mitchell | D Major | 1 | 10B | 78 BPM | ||
| Baby You're My Light | Richard Hawley | C Major | 5 | 8B | 172 BPM | ||
| Speak Low - Bent Remix | Billie Holiday, Bent, Simon Mills | G Minor | 7 | 6A | 117 BPM | ||
| You Look So Good | Owen Brady | C Minor | 3 | 5A | 181 BPM | ||
| That Look You Give That Guy | Eels | F Major | 5 | 7B | 94 BPM | ||
| Different Stars | Trespassers William | G Major | 3 | 9B | 113 BPM | ||
| Only Yesterday | Taken By Trees | C Major | 2 | 8B | 132 BPM | ||
| From Grace | Thomas Dybdahl | A Minor | 5 | 8A | 116 BPM | ||
| Sweet L.A. | Morcheeba | A Minor | 1 | 8A | 134 BPM | ||
| Try | Sidsel Endresen, Bugge Wesseltoft | E Minor | 2 | 9A | 84 BPM | ||
| Devil Or Angel | Lou Doillon | G Minor | 6 | 6A | 96 BPM | ||
| Silent Sigh | Badly Drawn Boy | C Major | 7 | 8B | 104 BPM | ||
| A Smile That Explodes | Joseph Arthur | D♭ Major | 3 | 3B | 119 BPM |