"Shatterdome Arrival" by Lorne Balfe had its release date on 2018. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Shatterdome Arrival's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Pacific Rim Uprising (Original Soundtrack Album)". In this album, this song's track order is #6. Based on our statistics, Shatterdome Arrival's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Shatterdome Arrival by Lorne Balfe having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shogun's Sentence | Ilan Eshkeri | C Minor | 1 | 5A | 103 BPM | ||
| Sacrifice of Tradition | Ilan Eshkeri | C Minor | 6 | 5A | 160 BPM | ||
| Main Title / Trinity Infinity - From "The Matrix" | Don Davis | E Minor | 5 | 9A | 136 BPM | ||
| At the Speed of Force | Junkie XL | C Minor | 5 | 5A | 78 BPM | ||
| Escape in Style | Lorne Balfe | D Major | 5 | 10B | 180 BPM | ||
| Rather Death Than Slavery | Sarah Schachner | D Minor | 3 | 7A | 108 BPM | ||
| Light | Ray D Kim | G Major | 3 | 9B | 96 BPM | ||
| Underwater March | Klaus Badelt | B♭ Major | 2 | 6B | 69 BPM | ||
| Dinosaurs | Lorne Balfe | A♭ Major | 5 | 4B | 97 BPM | ||
| D-Day | Christophe Beck | D♭ Major | 3 | 3B | 109 BPM | ||
| Come Back to Us | Thomas Newman | G Minor | 0 | 6A | 79 BPM | ||
| Kronos Megalos - Remix | Javier Navarrete | F Minor | 5 | 4A | 152 BPM | ||
| Swords Crossed | Klaus Badelt | D Major | 4 | 10B | 139 BPM | ||
| Future King | Rupert Gregson-Williams, Lorne Balfe | B♭ Minor | 2 | 3A | 120 BPM | ||
| Ahsoka Lives | Ludwig Göransson | G Minor | 1 | 6A | 111 BPM | ||
| A Storm Is Coming | Lorne Balfe | D Major | 4 | 10B | 102 BPM | ||
| Moon Knight | Hesham Nazih | E Minor | 0 | 9A | 65 BPM | ||
| Good Evening, Mr. Hunt | Joe Kraemer | G Minor | 0 | 6A | 96 BPM | ||
| Raising The Sword | Junkie XL | G Minor | 5 | 6A | 79 BPM | ||
| Chase Walking Nantucket | Roque Baños | D Minor | 6 | 7A | 120 BPM | ||
| Natura Ultraterrena | Sagrifizio | G Major | 6 | 9B | 100 BPM | ||
| Voices (Remix) | Martin Phipps, The Chamber Orchestra Of London | C Minor | 1 | 5A | 166 BPM | ||
| Shan Guo | Junkie XL | F Minor | 7 | 4A | 80 BPM | ||
| Divide Main Theme | Chris Tilton | F Minor | 4 | 4A | 165 BPM | ||
| Evey Reborn | Dario Marianelli | F Minor | 1 | 4A | 80 BPM |