"Late Night Entertainment" by Jesper Kyd had its release date on November 18, 2022. With This song being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Warhammer 40,000: Darktide (Original Soundtrack) by Jesper Kyd. The song's track number on the album is #14 out of 48 tracks. Late Night Entertainment is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Late Night Entertainment by Jesper Kyd has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Late Night Entertainment being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Liberating Athenas | Michael McCann | D Major | 2 | 10B | 141 BPM | ||
| Unite the Wayfarers | Paul Leonard-Morgan | F Major | 5 | 7B | 125 BPM | ||
| Leave No Dwarf Behind | Sophus Alf, Troels Rohde Jørgensen | A Major | 2 | 11B | 79 BPM | ||
| An Empty Void that Dared to Dream it Was Alive | Brandon Boone | F Minor | 4 | 4A | 122 BPM | ||
| Professional Execution | Jose Pavli | G Major | 10 | 9B | 140 BPM | ||
| Void Dragon | Pawel Perepelica | A Minor | 3 | 8A | 128 BPM | ||
| Swazdo-Lah | Keith Power, Digital Extremes Ltd., Todd Haberman | C Major | 9 | 8B | 113 BPM | ||
| Descending the Overlook | Finishing Move Inc. | F Minor | 7 | 4A | 100 BPM | ||
| The Labyrinth Sentinel | Rob Westwood | F Minor | 9 | 4A | 80 BPM | ||
| Brood Tidings | Nima Fakhrara | F Minor | 5 | 4A | 66 BPM | ||
| Altar of Hope (Act 1) | Stuart Chatwood | A Major | 3 | 11B | 78 BPM | ||
| Formless | Arkadiusz Reikowski | G Major | 5 | 9B | 80 BPM | ||
| Schism of Mars | Archotechna | D Major | 7 | 10B | 134 BPM | ||
| Patri(di)ots | Marcin Przybyłowicz | A Major | 8 | 11B | 90 BPM | ||
| Hearing Things | Shoi Miyazawa | B Minor | 8 | 10A | 86 BPM | ||
| Nue | 1000 Eyes, Tom Schley | D♭ Major | 6 | 3B | 132 BPM | ||
| The Arrival | Raison Varner | D♭ Major | 4 | 3B | 133 BPM | ||
| Brace for Impact | Doyle W. Donehoo | A Major | 3 | 11B | 135 BPM | ||
| High Pressure | Shoi Miyazawa | B Minor | 8 | 10A | 86 BPM | ||
| Voces Ignotas | Petri Alanko | D♭ Major | 1 | 3B | 60 BPM | ||
| Interstellar Nightmares | Sophus Alf, Troels Rohde Jørgensen | F Major | 5 | 7B | 100 BPM | ||
| Mors Mihi Lucrum | Legio Symphonica | A♭ Major | 10 | 4B | 125 BPM | ||
| Et Ratio Principalis | Petri Alanko | A Major | 4 | 11B | 128 BPM | ||
| Zero Gravity | Trevor Gureckis | C Minor | 3 | 5A | 59 BPM | ||
| Dirge for the Fallen | Pawel Perepelica | G Major | 1 | 9B | 110 BPM |