Taking Back Sunday's ' "Since You're Gone" was released on its scheduled release date, June 28, 2011. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Taking Back Sunday". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, Since You're Gone's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Since You're Gone by Taking Back Sunday having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'm the Best at Ruining My Life | From Autumn To Ashes | D Major | 9 | 10B | 153 BPM | ||
| The Difference Between Medicine And Poison Is In The Dose | Circa Survive | G Minor | 7 | 6A | 148 BPM | ||
| Left With Alibis And Lying Eyes | Emery | F♯ Major | 9 | 2B | 166 BPM | ||
| Devil In Jersey City | Coheed and Cambria | D Major | 10 | 10B | 82 BPM | ||
| The Impact Of Reason | Underoath | G Major | 10 | 9B | 173 BPM | ||
| Blood Runs Forever | Scary Kids Scaring Kids | F Minor | 9 | 4A | 91 BPM | ||
| Checkmarks | The Academy Is... | A Minor | 10 | 8A | 160 BPM | ||
| I Won't Make You | Something Corporate | C Major | 8 | 8B | 105 BPM | ||
| Konstantine | Something Corporate | B Major | 9 | 1B | 141 BPM | ||
| Lexington. (Joey Pea-Pot with a Monkey Face) | Chiodos | G Minor | 9 | 6A | 135 BPM | ||
| Beating Heart Baby | Head Automatica | A♭ Major | 10 | 4B | 150 BPM | ||
| This Photograph Is Proof (I Know You Know) | Taking Back Sunday | G Major | 9 | 9B | 158 BPM | ||
| I Put the 'Metro' in Metronome | Cute Is What We Aim For | B Major | 9 | 1B | 150 BPM | ||
| A Little Less Sixteen Candles, A Little More "Touch Me" | Fall Out Boy | G Major | 9 | 9B | 133 BPM | ||
| Sidewalks | Story Of The Year | D♭ Minor | 8 | 12A | 100 BPM | ||
| You're Ever So Inviting | Underoath | D Minor | 10 | 7A | 180 BPM | ||
| The (After) Life Of The Party | Fall Out Boy | F Major | 9 | 7B | 142 BPM | ||
| Sweat the Battle Before the Battle Sweats You | Cute Is What We Aim For | F♯ Minor | 9 | 11A | 175 BPM | ||
| Let Me Be Your Swear Word | Boys Night Out | G Minor | 9 | 6A | 128 BPM | ||
| The Truth About Heaven | Armor For Sleep | D Major | 9 | 10B | 92 BPM | ||
| Lawyers | The Audition | D♭ Major | 8 | 3B | 90 BPM | ||
| Sink Into Me | Taking Back Sunday | F♯ Major | 9 | 2B | 181 BPM | ||
| New Again | Taking Back Sunday | B♭ Minor | 10 | 3A | 76 BPM | ||
| Slow Dance | Senses Fail | E Minor | 9 | 9A | 161 BPM | ||
| Composing | Boys Night Out | D♭ Minor | 9 | 12A | 146 BPM |