Riccardo Zandonai, Levente Molnár, Aaron Judisch, Philharmonisches Orchester Freiburg, Fabrice Bollon's 'Francesca da Rimini, Op. 4, Act I: Questi giullari et uomini di corte' had a release date set for November 6, 2015. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Zandonai: Francesca da Rimini, Op. 4 by Riccardo Zandonai, Martin Mühle, Juan Orozco, Christina Vasileva, Philharmonisches Orchester Freiburg, Fabrice Bollon. The song's track number on the album is #3 out of 49 tracks. Based on our data, Germany was the country where this track was produced or recorded. Francesca da Rimini, Op. 4, Act I: Questi giullari et uomini di corte is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Francesca da Rimini, Op. 4, Act I: Questi giullari et uomini di corte by Riccardo Zandonai, Levente Molnár, Aaron Judisch, Philharmonisches Orchester Freiburg, Fabrice Bollon has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini, Op. 4, Act I: Questi giullari et uomini di corte being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Die Entführung aus dem Serail / Act 1: "Wer ein Liebchen hat gefunden" - "Verwünscht seist du samt deinem Liede!" | Wolfgang Amadeus Mozart, Gösta Winbergh, Martti Talvela, Heinz Zednik, Wiener Philharmoniker, Sir Georg Solti | G Minor | 2 | 6A | 82 BPM | ||
| I cavalieri di Ekebu: Vi går tillsammans | Lars Cleveman, Malena Karlsson, Riccardo Zandonai, A. Rossato, M. Lindman | A Major | 1 | 11B | 100 BPM | ||
| Der fliegende Holländer, Act III: Willst jenen Tag du nicht dich mehr entsinnen "Cavatina" | Richard Wagner, René Kollo, Chicago Symphony Orchestra, Sir Georg Solti | A Major | 3 | 11B | 87 BPM | ||
| Cilea: L'arlesiana, Act 2: "Ah! Vieni con me sui monti" (Baldassarre, Federico) | Francesco Cilea, Charles Rosekrans, Barry Anderson, Péter Kelen, Hungarian State Orchestra | B Major | 0 | 1B | 82 BPM | ||
| Rigoletto / Act 3: M'odi, ritorna a casa | Giuseppe Verdi, Ileana Cotrubas, Piero Cappuccilli, Wiener Philharmoniker, Carlo Maria Giulini | D Major | 0 | 10B | 180 BPM | ||
| Francesca da Rimini, Op. 4, Act III: Ah, Smaragdi, che vino mi recasti | Riccardo Zandonai, Christina Vasileva, Viktória Mester, Philharmonisches Orchester Freiburg, Fabrice Bollon | D♭ Major | 3 | 3B | 85 BPM | ||
| Gianni Schicchi: "Datemi il testamento!" | Giacomo Puccini, Leo Nucci, Ledo Freschi, Roberto Alagna, Ewa Podles, Ricardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | D♭ Major | 1 | 3B | 121 BPM | ||
| Bro: la chiesetta triste | Riccardo Zandonai, Gianandrea Gavazzeni | D Major | 1 | 10B | 74 BPM | ||
| Così fan tutte, K. 588 / Act II: "Amico, abbiamo vinto!" | Wolfgang Amadeus Mozart, Rolando Villazón, Adam Plachetka, Chamber Orchestra of Europe, Yannick Nézet-Séguin | C Minor | 1 | 5A | 86 BPM | ||
| Idomeneo, K. 366, Act I Scene 6: Aria. Tutte nel corso vi sento (Elettra) | Wolfgang Amadeus Mozart, Bavarian Radio Symphony Orchestra, Sir Simon Rattle, Elsa Dreisig | D Minor | 2 | 7A | 93 BPM | ||
| Bellini: I puritani: "Cinta di fiori e col ben crin disciolto" (Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Verdi: Don Carlo, Act 1: "Nel giardin del bello saracin" - "Tessete i veli" (Eboli, Tebaldo, Coro) | Giuseppe Verdi, Herbert von Karajan, Berliner Philharmoniker, Agnes Baltsa, Chor der Deutschen Oper Berlin, Edita Gruberova | A Major | 1 | 11B | 171 BPM | ||
| Grande Messe des Morts: XVIII. Offertorium: Vado et non revertar - Largo | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | A♭ Major | 0 | 4B | 168 BPM | ||
| Turandot / Act 1: O giovinetto! Grazia, grazia! (Coro, Calaf) | Giacomo Puccini, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | B Major | 2 | 1B | 75 BPM | ||
| Don Pasquale, Act I Terza Scena: Ah! Mi fa il destin mendico (Ernesto/Pasquale) | Gaetano Donizetti, Gösta Winbergh, Sesto Bruscantini, Philharmonia Orchestra, Riccardo Muti | E♭ Major | 3 | 5B | 65 BPM | ||
| Gounod: Faust, Act 2: "Allons, amis ! Point de vaines alarmes !" (Wagner, Méphistophélès, Chœur) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, José van Dam, Marc Barrard, Orchestre Du Capitole De Toulouse | F Major | 2 | 7B | 94 BPM | ||
| Puccini: Tosca, Act 1 Scene 8: "Un tal baccano in chiesa!" (Scarpia, Sagrestano, Spoletta) | Giacomo Puccini, Tito Gobbi, Giorgio Tadeo, Renato Ercolani, Orchestre de la Socit des Concerts du Conservatoire, Georges Prtre, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Minor | 5 | 2A | 82 BPM | ||
| Francesca da Rimini, Act II: Ah! Dove siamo noi? (Live) | Riccardo Zandonai, Magda Olivero, Orchestra Del Teatro Alla Scala, Milano, Mario del Monaco, Athos Cesarini, Giuseppe Morresi, Gianandrea Gavazzeni | E♭ Major | 5 | 5B | 140 BPM | ||
| Rossini: Soirées musicales: No. 1, La promessa | Gioachino Rossini, Rockwell Blake, Antonio Pappano | A♭ Major | 1 | 4B | 77 BPM | ||
| Wagner: Lohengrin, Act 2: "Zurück Elsa! Nicht länger will ich dulden" (Ortrud, Elsa, Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Deborah Polaski, Emily Magee, Staatskapelle Berlin | C Major | 2 | 8B | 77 BPM | ||
| Lucrezia Borgia: Prologue: Com'e bello! quale incanto (Lucrezia, Don Alfonso, Rustighello) | Gaetano Donizetti, Dimitra Theodossiou, Roberto De Biasio, Enrico Giuseppe Iori, Nidia Palacios, Luigi Albani, Giuseppe Di Paola, Mauro Corna, Livio Scarpellini, Giovanni Manfrin, Luca Dall'Amico, Dario Giorgele, Bergamo Musica Festival Chorus, Bergamo Mu | E♭ Major | 0 | 5B | 88 BPM | ||
| La pícara molinera, Act II: "Mi locura… Paxarín, tú que vuelas" (Juan) | Pablo Luna, Orquesta Juvenil Sinfonía por el Perú, Guillermo García Calvo, Juan Diego Flórez | D♭ Major | 1 | 3B | 68 BPM | ||
| Francesca da Rimini, Op. 4, Act I, Scene 14: Per la terra di maggio (Chorus) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Chor der Volksoper Wien | D Major | 0 | 10B | 71 BPM | ||
| Lucia di Lammermoor / Act 3: "S'avanza Enrico" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 0 | 9B | 107 BPM | ||
| Rigoletto / Act 1: Giovanna, ho dei rimorsi | Giuseppe Verdi, Ileana Cotrubas, Hanna Schwarz, Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini | G Major | 1 | 9B | 79 BPM |