On September 14, 2005, the song "Baje Payal Cham Cham" was released by Master Rana. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Baje Payal Cham Cham's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "O Ambe Maiya". In this album, this song's track order is #19. Furthermore, we believe that the track originated from India. In terms of popularity, Baje Payal Cham Cham is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Baje Payal Cham Cham by Master Rana having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lili Chundadi Odhi Re Nisrya | Master Rana | F Minor | 6 | 4A | 90 BPM | ||
| Supa Supa | Shivkumar Tiwari | A♭ Minor | 8 | 1A | 174 BPM | ||
| Radhe Bol Radhe Bol Barsane Ki Galiyon Dol | Shridhay Shri Mridul krishna shastri ji maharaj | G Minor | 8 | 6A | 95 BPM | ||
| Ram Krushna Bolo | Master Rana | E♭ Major | 6 | 5B | 122 BPM | ||
| Chalkata Jaam | Meghna Purohit, Master Rana | B Minor | 7 | 10A | 115 BPM | ||
| PARNIYU BANDHAY MA JASODAJI | Nidhi Dholkiya | F Minor | 9 | 4A | 91 BPM | ||
| Mari Javani Ni Leela - From "Dadagiri" | Hiral Dave, Master Rana, Kashi Kashyap | E♭ Minor | 8 | 2A | 133 BPM | ||
| Maithili Shiv Bhajan | Lalan Jha Priyadarshi | E Major | 8 | 12B | 150 BPM | ||
| Surya Dev Chalisa | Vipin Sachdeva | E Major | 9 | 12B | 84 BPM | ||
| Vrindavan Dham Apaar Jape Ja Radhe Radhe | Shridhay Shri Mridul krishna shastri ji maharaj | F Major | 9 | 7B | 144 BPM | ||
| SHIRDHI VAARI BAGHAVI KARUON | Nagesh Morvekar | F Major | 6 | 7B | 108 BPM | ||
| Bhimrupi Maharudra Stotra | Sameer Vijaykumar | D♭ Major | 4 | 3B | 163 BPM | ||
| MARA SHRIJI BAVA NE GHANI RE | Nitin Devka | D♭ Major | 5 | 3B | 147 BPM | ||
| Karm No Sanghathi Rana | Master Rana | E♭ Major | 5 | 5B | 110 BPM | ||
| Angra Ke Aagi | Shraddha, Sajal, Mithlesh Sahu | D♭ Major | 6 | 3B | 140 BPM | ||
| Ye Meri Arji Hai | Devendra Pathak | C Minor | 7 | 5A | 96 BPM | ||
| Mara Ghat Ma Birajta Shrinathji | Meena Patel | F♯ Minor | 8 | 11A | 83 BPM | ||
| Maro Garbo | Atul Purohit, Himali, Smita Shah | F Minor | 3 | 4A | 131 BPM | ||
| Shiv Amritwani 2 | Chetna | F Major | 6 | 7B | 140 BPM | ||
| Narayan Nu Naamaj Leta | Damyanti Bardai, Dipalee Somaiya Date, Chetan Gadhavi | E♭ Major | 5 | 5B | 99 BPM | ||
| Andhari Raat | Atul Purohit, Himali, Smita Shah | A♭ Minor | 5 | 1A | 133 BPM | ||
| Sunti Hoon Main Ram | Maithili Thakur | C Minor | 7 | 5A | 96 BPM | ||
| AAJ MARA MANDIRIAMA | Nidhi Dholkia | F♯ Minor | 5 | 11A | 93 BPM | ||
| Jai Jai Maharani Yamuna Aarti | Milpa Patel, Master Rana | G Major | 6 | 9B | 79 BPM | ||
| Bankey Bihari Jai Ho | Mridul Krishan Shastri | A♭ Major | 6 | 4B | 79 BPM |