Jonathan Elias, Sarah Trevino's 'Final Match' had a release date set for May 4, 2020. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "The Untold Story". In this album, this song's track order is #22. Based on our statistics, Final Match's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Final Match by Jonathan Elias, Sarah Trevino having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vibe | Luzima | B Minor | 3 | 10A | 79 BPM | ||
| Ourania | Julie Cooper, Justin Pearson | C Minor | 2 | 5A | 67 BPM | ||
| ABoneCroneDrone 3 | Sheila Chandra | E♭ Major | 2 | 5B | 135 BPM | ||
| Rounding The Bases | Mark Isham | A Major | 1 | 11B | 155 BPM | ||
| Pema's Theme | Cyril Morin | G Minor | 4 | 6A | 102 BPM | ||
| Venganzas Venideras | Las Guerreras | B Minor | 2 | 10A | 110 BPM | ||
| Sky 7 | Mychael Danna | F♯ Minor | 1 | 11A | 120 BPM | ||
| When All Beyond Was Wild | Tim Story | G Minor | 2 | 6A | 68 BPM | ||
| Omnia mors æquat | Corpus Dominix | G Major | 0 | 9B | 130 BPM | ||
| Comb Your Hair And Curl It | Kim Robertson | E Minor | 5 | 9A | 139 BPM | ||
| Sentimentality | Dy Kamylle | B♭ Minor | 1 | 3A | 135 BPM | ||
| At The Edge - US | Jonathan Elias | D Major | 4 | 10B | 109 BPM | ||
| Walk Through Darkness | Alex Wurman | E♭ Major | 1 | 5B | 65 BPM | ||
| Golden Pastures | David Turtle Ramani, Jonathan Elias | F Major | 3 | 7B | 135 BPM | ||
| Bellum omnium contra omes | Corpus Dominix | C Major | 9 | 8B | 160 BPM | ||
| The Perfect Flaw | Tim Story | C Minor | 2 | 5A | 87 BPM | ||
| Al Final del Tunel | Lapso Producciones | G Minor | 3 | 6A | 67 BPM | ||
| Puentes Al Cielo | Luz De Medianoche | F Major | 2 | 7B | 140 BPM | ||
| Sarah - K-Pax (Original Motion Picture Soundtrack) | Edward Shearmur | B Minor | 1 | 10A | 60 BPM | ||
| Path of Silence | Chris Anes Ambient | C Major | 1 | 8B | 62 BPM | ||
| Lost | Zoë Keating | E Minor | 1 | 9A | 81 BPM | ||
| Lux | Diego Baldenweg, Nora Baldenweg, Lionel Baldenweg, Daniel Hope, Zurich Chamber Orchestra | C Major | 2 | 8B | 94 BPM | ||
| Between Bells | Night Monastery | C Major | 1 | 8B | 62 BPM | ||
| Get Down | Zodweba | A♭ Major | 0 | 4B | 122 BPM | ||
| Leaving The Hospital | Mark Isham | A Major | 1 | 11B | 155 BPM |