Bach, JS: Two-Part Inventions: No. 6 in E Major, BWV 777 (Arr. for Violin and Cello) by Johann Sebastian Bach, Nigel Kennedy, Lynn Harrell Song Details

Johann Sebastian Bach, Nigel Kennedy, Lynn Harrell's 'Bach, JS: Two-Part Inventions: No. 6 in E Major, BWV 777 (Arr. for Violin and Cello)' had a release date set for March 27, 2000. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 9 in Duos for Violin & Cello by Lynn Harrell. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bach, JS: Two-Part Inventions: No. 6 in E Major, BWV 777 (Arr. for Violin and Cello) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Bach, JS: Two-Part Inventions: No. 6 in E Major, BWV 777 (Arr. for Violin and Cello) by Johann Sebastian Bach, Nigel Kennedy, Lynn Harrell is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 2%
Loudness: -27.58 dB
Acousticness: 97%
Danceability: 17%
Energy: 1%
Instrumentalness: 0%
Liveness: 10%
Loudness: 54%
Speechiness: 5%
Valence: 26%

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