"Thirty-Three, Pt. 5: Arrival" by Faunts had its release date on August 12, 2016. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Thirty-Three, Pt. 5: Arrival's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 5 in the song's album "Ostalgia, Vol. 1". In this album, this song's track order is #5. Thirty-Three, Pt. 5: Arrival is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Thirty-Three, Pt. 5: Arrival by Faunts having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jarre | MODERNS | A Minor | 7 | 8A | 92 BPM | ||
| Mars | Sam Hulick | E♭ Major | 5 | 5B | 120 BPM | ||
| Interspace | Starcadian | D♭ Major | 6 | 3B | 95 BPM | ||
| Remembrance Day | God Is An Astronaut | F Minor | 4 | 4A | 85 BPM | ||
| From Roots to Needles | If These Trees Could Talk | G Major | 10 | 9B | 174 BPM | ||
| Echoes | God Is An Astronaut | F Minor | 8 | 4A | 99 BPM | ||
| Dollhouse Decoration | MCC [Magna Carta Cartel] | E Minor | 5 | 9A | 105 BPM | ||
| Forecast | Darren Korb | A♭ Major | 8 | 4B | 185 BPM | ||
| Outlier/EOTWS_Variation1 | 65daysofstatic | F♯ Minor | 3 | 11A | 86 BPM | ||
| Hotline Miami II | Das Mörtal | B Minor | 8 | 10A | 102 BPM | ||
| Around The World | Atlas Plug | F♯ Minor | 9 | 11A | 140 BPM | ||
| Tech Noir | Gunship, John Carpenter, Charlie Simpson | B♭ Major | 6 | 6B | 86 BPM | ||
| Cellular Skies | Thomas Happ | C Major | 5 | 8B | 110 BPM | ||
| Not Your Kind Of People | Garbage | C Major | 7 | 8B | 122 BPM | ||
| Favorite Lover (Dead Astronauts Theme) - Original Mix | Dead Astronauts | D♭ Minor | 7 | 12A | 125 BPM | ||
| Doomsday Clock | Thomas Barrandon | F♯ Minor | 5 | 11A | 100 BPM | ||
| Triumph | nervous_testpilot | A Minor | 5 | 8A | 128 BPM | ||
| Slain | ToyTree | A♭ Minor | 8 | 1A | 130 BPM | ||
| The Experiment | Mick Gordon | G Major | 4 | 9B | 82 BPM | ||
| The Catalyst | Neurotech | D Major | 9 | 10B | 170 BPM | ||
| So Far Away | Lazerhawk | E Minor | 8 | 9A | 95 BPM | ||
| Mass Effect: Suicide Mission | Jack Wall, Sam Hulick, Andrew Skeet, London Philharmonic Orchestra | D Minor | 3 | 7A | 117 BPM | ||
| Lights Are Always On | Faunts | C Major | 8 | 8B | 139 BPM | ||
| Science/Visions | CHVRCHES | E Minor | 9 | 9A | 130 BPM | ||
| Prelude To Shona | Jake Chudnow | G Major | 3 | 9B | 113 BPM |