Mute's ' "Coming Back" was released on its scheduled release date, July 22, 2008. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "The Raven". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Coming Back is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Coming Back by Mute having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Feed the Fire | Atlas Losing Grip | A Minor | 10 | 8A | 111 BPM | ||
| Don't Bother Screaming | Symphony Of Distraction | E♭ Major | 10 | 5B | 110 BPM | ||
| Communication Breakdown | Mute | B Major | 9 | 1B | 102 BPM | ||
| That One Percent | The Human Project | C Major | 10 | 8B | 99 BPM | ||
| Resignation | Pour Habit | B Major | 9 | 1B | 101 BPM | ||
| So I Become | Deviates | G Major | 10 | 9B | 180 BPM | ||
| The Funeral | Local Resident Failure | F Major | 9 | 7B | 160 BPM | ||
| Heartbleeds | Heathcliff | F♯ Major | 10 | 2B | 115 BPM | ||
| All Hope Is Gone | Primetime Failure | D Major | 10 | 10B | 124 BPM | ||
| What We Became | No Trigger | E Minor | 10 | 9A | 111 BPM | ||
| Delicastressin | Belvedere | A♭ Major | 10 | 4B | 165 BPM | ||
| Speak to Our Empty Pockets | Strike Anywhere | D♭ Major | 10 | 3B | 112 BPM | ||
| Black Hole | Atlas Losing Grip | C Major | 10 | 8B | 103 BPM | ||
| Noisy Punk Grit | Whispering Bone Crushers | D♭ Major | 7 | 3B | 92 BPM | ||
| Less Than Your Words | Street Bulldogs | G Major | 9 | 9B | 116 BPM | ||
| Dead Inside | Adrenalized | D♭ Major | 10 | 3B | 110 BPM | ||
| Come Back Home | Drop It First, David Pouliot | G Major | 10 | 9B | 180 BPM | ||
| Sideways | Drop It First | E Major | 10 | 12B | 125 BPM | ||
| Drippings Of The Past | Pridebowl | C Major | 9 | 8B | 99 BPM | ||
| Seventeen | Counterpunch | A Major | 10 | 11B | 163 BPM | ||
| Sar Başa | NUS, Mute | B Minor | 8 | 10A | 80 BPM | ||
| Queen's Gambit | Millencolin | B Minor | 10 | 10A | 117 BPM | ||
| Olympic | Millencolin | B Minor | 9 | 10A | 94 BPM | ||
| My Final Story | 88 Fingers Louie | F Minor | 10 | 4A | 146 BPM | ||
| A Crash Course in Emotional English | The Decline | C Minor | 9 | 5A | 198 BPM |