HIM's 'The Beginning Of The End (Live at Provinssirock MCMXCIX)' had a release date set for December 9, 2014. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in HIM's "Greatest Lovesongs Vol. 666 (Deluxe Versions; Remastered)" album is number 16 out of 17. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Beginning Of The End (Live at Provinssirock MCMXCIX)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Beginning Of The End (Live at Provinssirock MCMXCIX) by HIM to be Allegro (fast, quick, and bright) because the track has a tempo of 156 BPM, a half-time of 78BPM, and a double-time of 312 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cruci-fiction In Space | Marilyn Manson | B Major | 5 | 1B | 100 BPM | ||
| No Tears | Zeraphine | F Major | 9 | 7B | 132 BPM | ||
| Fall into Oblivion | Evereve | A♭ Minor | 10 | 1A | 156 BPM | ||
| Dead Girl | Acid Bath | G Minor | 2 | 6A | 114 BPM | ||
| I Want You...Dead | Wednesday 13 | A♭ Major | 10 | 4B | 97 BPM | ||
| Blood On The Floor | Daniel Lioneye | D♭ Major | 10 | 3B | 101 BPM | ||
| Burning Obsession | Voodoo Church | C Major | 6 | 8B | 102 BPM | ||
| Lost Soul | Negative | E♭ Minor | 8 | 2A | 123 BPM | ||
| Honestly | Dommin | F♯ Minor | 8 | 11A | 147 BPM | ||
| Break It Or Heal It | Daniel Lioneye | D♭ Minor | 10 | 12A | 168 BPM | ||
| The Dark Romantics (XV) | The Awakening | B Major | 9 | 1B | 132 BPM | ||
| Heathcliff | Diva Destruction | B♭ Minor | 9 | 3A | 140 BPM | ||
| Kiss of Hope | Negative | D♭ Major | 8 | 3B | 126 BPM | ||
| Statues (Made of You) | My Upside Down | E♭ Major | 5 | 5B | 126 BPM | ||
| The Alpha and the Omega | Christian Death | D Major | 3 | 10B | 90 BPM | ||
| Demon | London After Midnight | D Minor | 7 | 7A | 107 BPM | ||
| Exciter | Poisonblack | F Minor | 7 | 4A | 84 BPM | ||
| She Was a Teenage Zombie | Murderdolls | C Major | 10 | 8B | 102 BPM | ||
| Silence | Theatre Of Tragedy | E♭ Major | 9 | 5B | 122 BPM | ||
| Upside Down | End Of You | B Minor | 9 | 10A | 172 BPM | ||
| Touch Myself | Genitorturers | C Minor | 9 | 5A | 100 BPM | ||
| The Great Deception - Part D: The Lie Behind the Truth | Christian Death | F♯ Major | 9 | 2B | 130 BPM | ||
| Figurine | Die So Fluid | G Major | 9 | 9B | 89 BPM | ||
| Fields of Ashes | Evereve | A♭ Minor | 9 | 1A | 108 BPM | ||
| 107 | Orgy | D♭ Major | 8 | 3B | 107 BPM |