"Clinic Arrival on Bike" by Stephen Rennicks had its release date on February 13, 2024. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 24 out of 33 in Alice & Jack (Original Score from the Television Series) by Stephen Rennicks. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. The popularity of Clinic Arrival on Bike is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Clinic Arrival on Bike by Stephen Rennicks is Vivace (lively and fast), since this song has a tempo of 165 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Encouraging Feedback | Marco Beltrami | E Major | 2 | 12B | 63 BPM | ||
| The Tailor of Fitzrovia | Jonny Greenwood | E♭ Major | 1 | 5B | 83 BPM | ||
| Three Chords | Ann Annie, David Allred | B♭ Major | 2 | 6B | 131 BPM | ||
| Overture | Emilie Levienaise-Farrouch | B Minor | 2 | 10A | 89 BPM | ||
| Main Title (The Notebook) | Aaron Zigman | C Major | 0 | 8B | 59 BPM | ||
| Mathias - From “Girl” Original Motion Picture Soundtrack | Valentin Hadjadj | D♭ Major | 1 | 3B | 109 BPM | ||
| In My Breath | Aska Matsumiya | C Major | 1 | 8B | 60 BPM | ||
| At the Met (New York, New York, New York) | Siddhartha Khosla | E♭ Major | 0 | 5B | 75 BPM | ||
| Peaceful Here Now | Colin Stetson | D Minor | 3 | 7A | 92 BPM | ||
| Marital Dance | Evgueni Galperine, Sacha Galperine | B Major | 0 | 1B | 137 BPM | ||
| Don't Worry | Philip Ekström | F Major | 0 | 7B | 172 BPM | ||
| Opening | Stephen Rennicks | A♭ Major | 1 | 4B | 66 BPM | ||
| Dormiveglia | Benjamin Gustafsson | D♭ Major | 0 | 3B | 67 BPM | ||
| Rose Garden | Adrian Johnston | E Major | 0 | 12B | 83 BPM | ||
| Motion | Peter Sandberg | E♭ Major | 0 | 5B | 176 BPM | ||
| Feel Any Worse | Oli Julian | G Major | 0 | 9B | 71 BPM | ||
| April 23, 1996 | Davis John Patton | E♭ Major | 3 | 5B | 127 BPM | ||
| The Factory | Jordan Seigel | A♭ Major | 7 | 4B | 143 BPM | ||
| Falling Colour | Vanbur | D Major | 3 | 10B | 144 BPM | ||
| Where the Mountain Meets the Ocean | Brad Oberhofer, Oberhofer | D Major | 0 | 10B | 79 BPM | ||
| We're All Leaving | Arcade Fire, Owen Pallett | A♭ Major | 0 | 4B | 48 BPM | ||
| Unseen Tides | Rachel Portman | E Minor | 1 | 9A | 93 BPM | ||
| Post Pie | Daniel Hart | F Major | 1 | 7B | 68 BPM | ||
| The Wake | Stephen Rennicks | E♭ Major | 0 | 5B | 82 BPM | ||
| Tree Of Life | Theodore Shapiro | D♭ Major | 3 | 3B | 136 BPM |