Bhakta Raj Acharya's 'Keshav Nai Gheriyeko' had a release date set for March 31, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Samarpan Bhajan-1". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Norway. Keshav Nai Gheriyeko is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Keshav Nai Gheriyeko by Bhakta Raj Acharya having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maile Geet Chhodi Aaye | Prakash Shrestha, Asha Bhosle | C Major | 5 | 8B | 152 BPM | ||
| Moi Aru Mor Chaan | Bhupen Hazarika | A Major | 8 | 11B | 120 BPM | ||
| Suna Suna | Uday Sotang, Manila Sotang | G Major | 5 | 9B | 77 BPM | ||
| Hosh Gara Hai Soltini | Mahesh Budathoki, Sindhu Malla | A Major | 5 | 11B | 150 BPM | ||
| Mor Gaan Haok | Bhupen Hazarika | C Minor | 5 | 5A | 112 BPM | ||
| Sadanandamoyi Kali | Pannalal Bhattacharya | A♭ Minor | 4 | 1A | 70 BPM | ||
| E Kamon Ranga Jadu | Bhupen Hazarika | B Major | 5 | 1B | 134 BPM | ||
| Kandari Go | Parikshit Bala | D Major | 4 | 10B | 101 BPM | ||
| Ye Ni Parana | Raju Singh, Uday Sotang, Manila Sotang | A Major | 4 | 11B | 126 BPM | ||
| Khomite Parilam Na | Hemanta Mukhopadhyay | B Major | 6 | 1B | 93 BPM | ||
| Ami Duchokh Bhore | Manna Dey | F Major | 6 | 7B | 88 BPM | ||
| Ami Manush Hoia | Parikshit Bala | D♭ Major | 5 | 3B | 173 BPM | ||
| Hami Bhulechhau | Bhakta Raj Acharya | B♭ Major | 5 | 6B | 148 BPM | ||
| Shashan To Bhalobasis | Dhananjay Bhattacharya | C Major | 6 | 8B | 113 BPM | ||
| Ramakrishna Charan Saroje | Mahesh Ranjan Shome | F Major | 4 | 7B | 97 BPM | ||
| Karo Keu Naiko Aami | Kishore Kumar | B♭ Major | 5 | 6B | 153 BPM | ||
| ارجع اشويه | حمزة المحمداوي | E♭ Major | 4 | 5B | 137 BPM | ||
| Yeti Dherai Maya Lofi | Narayan Gopal | F Major | 9 | 7B | 87 BPM | ||
| Surer Guru Sree Anukul | Sdipto Sekhar Mishra | F♯ Minor | 4 | 11A | 141 BPM | ||
| Rone Bone Jangale | Rima Das Gupta | E Minor | 3 | 9A | 141 BPM | ||
| Smadhiniya | Hemant Kumar | E♭ Major | 4 | 5B | 137 BPM | ||
| Timi Rimjhim | Udit Narayan, Anupama | D Minor | 6 | 7A | 84 BPM | ||
| Teisa Made Malaino | Biswanath Debbarma, Sourabhee Debbarma | E♭ Major | 4 | 5B | 150 BPM | ||
| Chau Chhyabai Butte Kramu | Munal Film Pvt. Ltd., Dhan Bahadur Gurung, Jyoti Gurung | E Major | 7 | 12B | 137 BPM | ||
| Ke Chha Ra Diu | Deepak Jangam, Gulam Ali | F Minor | 4 | 4A | 124 BPM |