Giya Kancheli, Guy Klucevsek's '33 Miniatures: No. 16, Theme from "The Role for a Beginner" (Arr. for Accordion)' had a release date set for April 2, 2021. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. 33 Miniatures: No. 16, Theme from "The Role for a Beginner" (Arr. for Accordion)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Simple Music". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United States. The popularity of 33 Miniatures: No. 16, Theme from "The Role for a Beginner" (Arr. for Accordion) is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 33 Miniatures: No. 16, Theme from "The Role for a Beginner" (Arr. for Accordion) by Giya Kancheli, Guy Klucevsek having a BPM of 163 with a half-time of 82 BPM and a double-time of 326 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trois Gymnopédies: lll. "Lent et grave" | Erik Satie, Peter Dickinson | A Minor | 0 | 8A | 78 BPM | ||
| 5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | E♭ Minor | 0 | 2A | 90 BPM | ||
| Woodforde-Finden: 4 Indian Love Lyrics: No. 4, Till I Wake (Arr. Hough for Piano) | Amy Woodforde-Finden, Martin James Bartlett | F♯ Minor | 0 | 11A | 167 BPM | ||
| Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | ||
| 2 Waltzes, Op. 153: No. 2, Allegretto | Valentin Silvestrov, Elisaveta Blumina | D Major | 0 | 10B | 71 BPM | ||
| Seven Nuggets: IV. Rough Diamond | Peter Scott Lewis, Blair McMillen | G Major | 1 | 9B | 93 BPM | ||
| Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
| Bagatellen: IV | Valentin Silvestrov | D♭ Major | 0 | 3B | 67 BPM | ||
| 6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM | ||
| In a Landscape | John Cage, Alexei Lubimov | B♭ Major | 0 | 6B | 69 BPM | ||
| The Threepenny Opera, Act II: Pollys Lied (Arr. for Piano by Florian Noack) | Kurt Weill, Florian Noack | B Minor | 0 | 10A | 110 BPM | ||
| Woman's Prayer | G. I. Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | F Minor | 0 | 4A | 83 BPM | ||
| Chopin - 6 Chants Polonais, S480/R145: No. 2. Fruhling(Wiosna, Spring) | Joseph Banowetz, Franz Liszt | G Major | 1 | 9B | 108 BPM | ||
| Música callada, Book 1: No. 1, Angelico | Federico Mompou, Lilit Grigoryan | A Minor | 0 | 8A | 67 BPM | ||
| Les chemins de l'amour, FP. 106 | Francis Poulenc, Mischa Maisky, Daria Hovora | E Major | 1 | 12B | 67 BPM | ||
| 4 Lieder, Op. 27, TrV 170: IV. Morgen! (Arr. for Cello and Piano by Julian Riem) | Richard Strauss, Raphaela Gromes, Julian Riem | F Major | 0 | 7B | 174 BPM | ||
| Ma mère l'oye, M. 60: 3. Laideronnette, Impératrice des pagodes | Valeria Szervánszky, Ronald Cavaye | A♭ Minor | 1 | 1A | 129 BPM | ||
| Encore from Tokyo | Keith Jarrett | E Minor | 2 | 9A | 124 BPM | ||
| Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
| 25 Preludes, Op. 64: No. 9 in E Major: Andantino | César Cui, Jeffrey Biegel | E Major | 0 | 12B | 66 BPM | ||
| Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 74 BPM | ||
| 3 Intermezzi, Op. 117: No. 1 in E-Flat Major. Andante moderato | Johannes Brahms, Radu Lupu | E♭ Major | 0 | 5B | 73 BPM | ||
| Orphée - Arr. for Piano duet / Act 1: III. La chambre d'Orphée | Philip Glass, Katia Labèque, Marielle Labèque | F Minor | 0 | 4A | 137 BPM | ||
| Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM |