Thilina Ruhunage, Jagath Wickramasinghe's ' "Man Nubemada" was released on its scheduled release date, 2016. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Man Nubemada and no other songs are present in the album, we classify this track as a single. In terms of popularity, Man Nubemada is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Man Nubemada by Thilina Ruhunage, Jagath Wickramasinghe to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mata Heenayak Wela | Damith Asanka, Sampath Fernandopulle | B Major | 6 | 1B | 88 BPM | ||
| Hithawanthi | Dhyan Hewage, Pasan Liyanage | G Major | 4 | 9B | 135 BPM | ||
| Atha Sithijaye - Charana Beats Version | Shirley Waijayantha | C Minor | 6 | 5A | 96 BPM | ||
| Tattoo Walalu | Sanka Dineth | D Major | 3 | 10B | 105 BPM | ||
| Mage Punchi Rosa Male | Amarasiri Peiris | A Minor | 2 | 8A | 96 BPM | ||
| Mathakaida Ada Wage / Chandrayan Pidu / Kiri Kodu (Medley) | Nisal Sutheekshana | E Minor | 5 | 9A | 88 BPM | ||
| Oya As Katha Karanawa | eTunes, Samitha Mudunkotuwa | B♭ Major | 4 | 6B | 127 BPM | ||
| Mathudaka | Jalinda Karunaratne, Gayya, Charitha Attalage | D Minor | 6 | 7A | 87 BPM | ||
| Yayata Payana | Prihan Madappuli, Nathasha Perera, Iraj | G Major | 5 | 9B | 140 BPM | ||
| Pun Sanda Raata | Nirosha Virajini | F Major | 4 | 7B | 132 BPM | ||
| Dannawada Adare Nithiya - Mihindu’s Version | Mihindu Ariyaratne, Abhisheka Wimalaweera, Lahiru De Costa | A Minor | 3 | 8A | 144 BPM | ||
| Raata Mang | Romesh Sugathapala | D Major | 6 | 10B | 90 BPM | ||
| Hitha Nambara Thaleta | Bathiya & Santhush, Bathiya Jayakody | D♭ Minor | 6 | 12A | 94 BPM | ||
| Mal Mitak | Kasun Kalhara, Indrachapa Liyanage, Niranjala Manjari, Nadeeka Jayawardena, Nadeeka Guruge | A Minor | 5 | 8A | 112 BPM | ||
| Sharadha | Yasas Medagedara, Lahiru Liyanage | D♭ Major | 5 | 3B | 75 BPM | ||
| Oba Duray | Thilina Ruhunage, Suneera Sumanga, Samitha Mudunkotuwa | F Minor | 5 | 4A | 160 BPM | ||
| Me Hitha Thaniyen | Thilina Ruhunage, Athma Liyanage | C Minor | 5 | 5A | 120 BPM | ||
| Oba Aye Enawanam (From "Kiya Denna Adare Tharam") | Milinda Sandaruwan | A Minor | 6 | 8A | 75 BPM | ||
| Obagen Tharam | Pradeep Rangana | B Minor | 6 | 10A | 100 BPM | ||
| Hama Deyak Pene | Samitha Mudunkotuwa, Chinthaka Jayakody, Bachi Susan | E Minor | 2 | 9A | 115 BPM | ||
| Ru Waruna | Centigradz | A Major | 9 | 11B | 98 BPM | ||
| Neela Dase | Nisal Sutheekshana | A Major | 4 | 11B | 153 BPM | ||
| Sitha Saluna | Centigradz | F Major | 5 | 7B | 118 BPM | ||
| Perawadanak Nathi | Nadeeka Jayawardana | E Minor | 4 | 9A | 136 BPM | ||
| Mathakada Kiyanna | Sadeeptha, Raween Kanishka, Shanika Madumali | A Minor | 3 | 8A | 180 BPM |