Mafalda Arnauth's 'Para Maria' had a release date set for January 1, 2005. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 15 in Diário by Mafalda Arnauth. Going off of the ISRC code of this track, we detected that the origin of this track is from Portugal. In terms of popularity, Para Maria is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Para Maria by Mafalda Arnauth is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saudade, Silêncio E Sombra | Teresa Tarouca | D Minor | 2 | 7A | 111 BPM | ||
| Que Fazes Aí Lisboa | Paulo Bragança | F♯ Minor | 2 | 11A | 86 BPM | ||
| Lêndea da Fonte | Emanuel Moura | C Minor | 5 | 5A | 100 BPM | ||
| A Tendinha | Hermínia Silva | A♭ Major | 4 | 4B | 77 BPM | ||
| Silêncio Que Aprendi | IA Tuga | D Minor | 1 | 7A | 136 BPM | ||
| Segue o Teu Rumo | Carolina | F Minor | 3 | 4A | 89 BPM | ||
| Erguem-se muros | Filipa Biscaia | F Major | 5 | 7B | 100 BPM | ||
| Rosa Sem Espinhos (Fado João) | Joana Amendoeira | B Major | 4 | 1B | 128 BPM | ||
| Chegou a Hora | Teresinha Landeiro | D Major | 3 | 10B | 123 BPM | ||
| Barquito Corcel | Fábia Rebordão | A Major | 5 | 11B | 125 BPM | ||
| Cavalo à solta | Mafalda Arnauth | D Minor | 3 | 7A | 88 BPM | ||
| Saudades Do Brasil Em Portugal | Cuca Roseta | E Minor | 3 | 9A | 110 BPM | ||
| Talvez se chame saudade | Mafalda Arnauth | A Major | 1 | 11B | 98 BPM | ||
| Lisboa É Assim | Rodrigo Costa Felix | F Major | 3 | 7B | 133 BPM | ||
| Maio de 78 | Fado Ao Centro, Luís Barroso | F Minor | 3 | 4A | 136 BPM | ||
| Guitarras de Lisboa | Fernando Farinha | G Major | 3 | 9B | 145 BPM | ||
| Amiga | Carla Pires, Enzo Daversa, Vasco Sousa, Luis Guerreiro | F♯ Minor | 1 | 11A | 85 BPM | ||
| Valeu a pena | Maria Da Fé | B Minor | 5 | 10A | 71 BPM | ||
| Ilha da Madeira | Max | G Major | 1 | 9B | 134 BPM | ||
| Esta Voz | Ricardo Ribeiro | C Minor | 1 | 5A | 95 BPM | ||
| Fado Bailado | Manuel De Almeida | C Minor | 3 | 5A | 118 BPM | ||
| Fadista velhinho (Fado lumiar) | João Ferreira Rosa | E Major | 3 | 12B | 104 BPM | ||
| Foste Só Quem Deus Te Fez | Jorge Fernando | E Minor | 1 | 9A | 148 BPM | ||
| Quero um Cavalo de Várias Cores | Gonçalo Salgueiro | D Minor | 6 | 7A | 92 BPM | ||
| Fadista louco | Carla Pires | B Major | 2 | 1B | 106 BPM |