Mile Twelve's ' "Onwards" was released on its scheduled release date, October 27, 2017. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Onwards". In this album, this song's track order is #1. Based on our statistics, Onwards's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Onwards by Mile Twelve having a BPM of 153 with a half-time of 76 BPM and a double-time of 306 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The More I Learn | Bryan Sutton | E Major | 5 | 12B | 104 BPM | ||
| Superstition | Old School Freight Train | C Major | 8 | 8B | 110 BPM | ||
| Saw a Little Boat | Tray Wellington | G Minor | 6 | 6A | 131 BPM | ||
| Six Feet Under | Billy Failing | A Minor | 5 | 8A | 118 BPM | ||
| Going Home To Carolina | Aaron Burdett | C Major | 8 | 8B | 135 BPM | ||
| Tuscaloosa | Old Salt Union | G Major | 6 | 9B | 135 BPM | ||
| Whiskey Trail | Mile Twelve | E Minor | 5 | 9A | 168 BPM | ||
| How Long | Sierra Hull | B♭ Major | 5 | 6B | 143 BPM | ||
| Arkansas Bound | Sad Daddy | A Major | 6 | 11B | 93 BPM | ||
| Creatures of Havoc | Shadowgrass | G Major | 7 | 9B | 127 BPM | ||
| Everybody's Talkin' | The Seldom Scene | G Major | 6 | 9B | 138 BPM | ||
| Driver 8 | Michael Daves | E Major | 5 | 12B | 92 BPM | ||
| Tall Pines | Laurie Lewis | D Major | 6 | 10B | 127 BPM | ||
| Heart In A Cage | Chris Thile | G Major | 4 | 9B | 138 BPM | ||
| Open Water | Bronwyn Keith-Hynes, Sierra Hull | D Minor | 6 | 7A | 146 BPM | ||
| Rocky Island | Mile Twelve | D Major | 5 | 10B | 151 BPM | ||
| You’ll Never Leave Harlan Alive | Shadowgrass | A Minor | 1 | 8A | 63 BPM | ||
| The River That I Knew | Lindsay Lou | C Major | 6 | 8B | 120 BPM | ||
| The Real You | Colebrook Road | E Major | 5 | 12B | 92 BPM | ||
| Colorado Bound | Stillhouse Junkies | B Major | 8 | 1B | 151 BPM | ||
| Sirens | The Dirty Grass Players, Pierce Edens | F Minor | 7 | 4A | 130 BPM | ||
| White Lines and Neon Signs | The Wooks | G Major | 7 | 9B | 135 BPM | ||
| Cold Wind | Mile Twelve | F Major | 8 | 7B | 120 BPM | ||
| Diggin' On The Mountainside | Town Mountain | B Major | 6 | 1B | 112 BPM | ||
| Midnight In Montana | Bearfoot | F Major | 7 | 7B | 126 BPM |