"Leaving Home, Coming Home" by Dario Marianelli had its release date on January 1, 2012. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Leaving Home, Coming Home's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 24 in Anna Karenina (Original Music From The Motion Picture) by Dario Marianelli. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Leaving Home, Coming Home's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Leaving Home, Coming Home by Dario Marianelli is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 5/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Beyond The Stage | Dario Marianelli | A♭ Major | 1 | 4B | 168 BPM | ||
| Top Boards | Carlos Rafael Rivera | A♭ Major | 2 | 4B | 80 BPM | ||
| Marian Brook | Harry Gregson-Williams, Rupert Gregson-Williams | F♯ Minor | 2 | 11A | 170 BPM | ||
| The Savorgnan Sisters | Kerry Muzzey, Budapest Art Orchestra | C Major | 4 | 8B | 86 BPM | ||
| A Letter From Prison | Dario Marianelli | B♭ Major | 0 | 6B | 112 BPM | ||
| Brideshead Revisited: No. 16, Mid-Atlantic Jungle | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | E Minor | 0 | 9A | 84 BPM | ||
| Mathilda | Sharon Farber | D Minor | 2 | 7A | 81 BPM | ||
| Kentucky State Championship 1963 | Carlos Rafael Rivera | A Minor | 2 | 8A | 79 BPM | ||
| The Funeral | Javier Navarrete | D Minor | 2 | 7A | 102 BPM | ||
| Armstrong: Horseriding | Craig Armstrong, A.R. Rahman | A Minor | 2 | 8A | 126 BPM | ||
| A Caribbean Mystery - Nos Morituri | Dominik Scherrer | G Major | 2 | 9B | 73 BPM | ||
| Violin Romance | Patrick Doyle | D♭ Minor | 2 | 12A | 60 BPM | ||
| Lady Gresham's Ball: The Hole in the Wall - Bonus Track | Adrian Johnston, Original Soundtrack, Paul Englishby | B♭ Major | 1 | 6B | 66 BPM | ||
| Pools of gold | Max Richter | D Minor | 3 | 7A | 66 BPM | ||
| Too Late | Dario Marianelli | F Minor | 2 | 4A | 93 BPM | ||
| Yes! (feat. Jack Liebeck) | Dario Marianelli, Jack Liebeck, Benjamin Wallfisch | C Minor | 2 | 5A | 84 BPM | ||
| Fragile Dream | Joe Hisaishi, Angèle Dubeau, La Pietà | G Minor | 1 | 6A | 85 BPM | ||
| Nina's Dream | Clint Mansell | B Minor | 1 | 10A | 137 BPM | ||
| Are We the Sum of Our Worst Moments | Daniel Hart | C Major | 0 | 8B | 91 BPM | ||
| Pan's Labyrinth Lullaby | Javier Navarrete | C Minor | 1 | 5A | 71 BPM | ||
| Notes and Impressions | Christopher Willis | E Major | 1 | 12B | 107 BPM | ||
| Weep You No More Sad Fountains - Voice | Patrick Doyle, Jane Eaglen, Robert Ziegler | E♭ Major | 2 | 5B | 95 BPM | ||
| Mr. Knightley | Isobel Waller-Bridge, David Schweitzer | G Major | 1 | 9B | 74 BPM | ||
| Waiting for Mr. Rochester (feat. Jack Liebeck) | Dario Marianelli, Jack Liebeck, Benjamin Wallfisch | G Minor | 2 | 6A | 123 BPM | ||
| Court Demonstration | Joseph Trapanese, The Budapest Art Orchestra | A♭ Major | 0 | 4B | 78 BPM |