Teddy Wilson's 'You're Driving Me Crazy' had a release date set for January 1, 1957. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Teddy Wilson's "I Got Rhythm" album is number 13 out of 13. On top of that, United States appears to be the country where this track was created. You're Driving Me Crazy is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of You're Driving Me Crazy by Teddy Wilson to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| That Old Feeling | Pee Wee Russell | E♭ Major | 1 | 5B | 131 BPM | ||
| I Mean You | Eli Starr Trio | C Major | 1 | 8B | 105 BPM | ||
| A Whisper Too Late | Old Jazz Music | D Major | 3 | 10B | 83 BPM | ||
| Night Ends | Nordic Jazz Club | F Major | 1 | 7B | 142 BPM | ||
| Anatole | Don Byas | G Minor | 2 | 6A | 136 BPM | ||
| Atrium Lisbon | BitSwing | C Minor | 1 | 5A | 94 BPM | ||
| Manhattan After Dark | The 50th Floor | G Minor | 3 | 6A | 107 BPM | ||
| Satin Doll | McCoy Tyner | C Major | 2 | 8B | 120 BPM | ||
| Sweet Georgia Brown | Teddy Wilson | F Major | 5 | 7B | 104 BPM | ||
| Medianoche en Harlem | Ravexon | G Minor | 3 | 6A | 107 BPM | ||
| Moonlight Cocktail | Willie "The Lion" Smith | B Minor | 1 | 10A | 93 BPM | ||
| Born To Be Blue | Tommy Flanagan Trio | D Minor | 1 | 7A | 115 BPM | ||
| Our Day Will Come | Allan Vaché And Friends | F Minor | 4 | 4A | 112 BPM | ||
| Someday Sweetheart | Eiji Kitamura, Teddy Wilson, Ichiro Masuda | F Major | 2 | 7B | 133 BPM | ||
| Smoke Gets In Your Eyes | Don Byas | F Minor | 2 | 4A | 98 BPM | ||
| Sweet Temptation | Rhea Stark | G Major | 2 | 9B | 110 BPM | ||
| Between the Keys | Varnish Ritual | G Major | 1 | 9B | 67 BPM | ||
| Laura | Teddy Wilson | A Minor | 2 | 8A | 78 BPM | ||
| Softly As In A Morning Sunrise - Remastered 2001/Rudy Van Gelder Edition | Sonny Clark Trio | C Minor | 2 | 5A | 127 BPM | ||
| Don't Get Around Much Anymore | Hampton Hawes | G Minor | 3 | 6A | 107 BPM | ||
| I've Got A Crush On You | Thad Jones | B♭ Major | 1 | 6B | 83 BPM | ||
| Where Are You? | The Ben Webster Quintet | A♭ Minor | 0 | 1A | 83 BPM | ||
| Clocktower Promontory | Timeless Sepia Melodies | A♭ Major | 2 | 4B | 112 BPM | ||
| Home Through Falling Snow | Quartier Bleu | G Minor | 3 | 6A | 107 BPM | ||
| Algoritmos de la aguja magnética | Piolet electrónico | G Minor | 5 | 6A | 101 BPM |