Willie Mitchell's ' "Take Five" was released on its scheduled release date, 2014. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Take Five's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "On Top". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Take Five is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Take Five by Willie Mitchell having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dig Her Walk | Young-Holt Unlimited | F Minor | 4 | 4A | 106 BPM | ||
| Jose Chicago | Shawn Lee & The Soul Surfers | E Minor | 8 | 9A | 126 BPM | ||
| 20-75 | Willie Mitchell | B♭ Major | 8 | 6B | 128 BPM | ||
| Droge CX 9 | Vampire Sound Inc., Sigi Schwab, Manfred Hübler | B♭ Major | 6 | 6B | 130 BPM | ||
| Othelia - Remastered | Yusef Lateef | B♭ Major | 5 | 6B | 126 BPM | ||
| Sweet Honey Bee | Lee Morgan | F Minor | 5 | 4A | 126 BPM | ||
| About Noon | The Mar-Keys | B♭ Major | 6 | 6B | 149 BPM | ||
| Mr DG | Colman Brothers | B♭ Minor | 8 | 3A | 98 BPM | ||
| Soul Junction | The Backyard Heavies | G Major | 8 | 9B | 95 BPM | ||
| Way Back Home | The Jazz Crusaders | D♭ Major | 7 | 3B | 177 BPM | ||
| Call Me (Come Back Home) | Ronnie Aldrich and his 2 pianos, London Festival Orchestra | B♭ Major | 5 | 6B | 108 BPM | ||
| Too Late To Turn Back | El Michels Affair | F Major | 5 | 7B | 101 BPM | ||
| Plenty, Plenty Soul | Milt Jackson | C Major | 3 | 8B | 116 BPM | ||
| Black Angel | Ike Turner & The Kings Of Rhythm | A Minor | 5 | 8A | 109 BPM | ||
| Got Myself A Good Man | Pucho & The Latin Soul Brothers | E♭ Major | 8 | 5B | 110 BPM | ||
| Happy | Speedometer | B♭ Major | 6 | 6B | 147 BPM | ||
| Ostinato Bass | René Costy | G Major | 6 | 9B | 99 BPM | ||
| Country Slicker Joe | Young-Holt Unlimited | B♭ Major | 5 | 6B | 118 BPM | ||
| Tally Ho! | Jr. Walker & The All Stars | G Major | 9 | 9B | 133 BPM | ||
| Howlin' For Judy | Jeremy Steig | D Major | 6 | 10B | 110 BPM | ||
| Rudy's Intervention | The Sugarman 3 | C Minor | 8 | 5A | 91 BPM | ||
| Cleo's Back | The Mar-Keys | C Major | 3 | 8B | 90 BPM | ||
| Sweetback's Theme - Single Version | Melvin Van Peebles, Earth, Wind & Fire | F Major | 9 | 7B | 139 BPM | ||
| Ain't It A Groove | Dave Hamilton | D Minor | 7 | 7A | 96 BPM | ||
| Hey Mrs. Jones | Ramsey Lewis | G Major | 6 | 9B | 117 BPM |