John C. Williams's 'Asturias' had a release date set for 1974. This song is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. There are a total of 23 in the song's album "Spanish Guitar Music". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Asturias's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Asturias by John C. Williams having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Gitane | Angelo DeBarre, Serge Camps, Frank Anastasio | D Minor | 4 | 7A | 117 BPM | ||
| Aires de la Mancha: Seguidilla | Federico Moreno Torroba, John C. Williams | A Major | 2 | 11B | 120 BPM | ||
| Fantasia | John C. Williams | D Major | 2 | 10B | 116 BPM | ||
| Barrios Mangoré: La catedral: III. Allegro solemne | Thibaut García | B Minor | 2 | 10A | 128 BPM | ||
| La Bicyclette | Roland Dyens | F Major | 2 | 7B | 154 BPM | ||
| Francisco Tárrega: Recuerdos De La Albambra | Julian Bream | A Major | 2 | 11B | 149 BPM | ||
| Tamacun (Remastered) | Rodrigo y Gabriela | G Major | 9 | 9B | 129 BPM | ||
| Tárrega: Recuerdos de la Alhambra | Thibaut García | B♭ Minor | 0 | 3A | 72 BPM | ||
| Rumbeando la Milonga | Paco Peña, Ely "La Gambita", Antonia Gomez | F♯ Minor | 7 | 11A | 115 BPM | ||
| L'encouragement, Op. 34: I. Cantabile | Fernando Sor, Julian Bream, John C. Williams | E Major | 0 | 12B | 95 BPM | ||
| Prelude No. 1 | Heitor Villa-Lobos, Simon Dinnigan | E Minor | 1 | 9A | 74 BPM | ||
| Guajiras de Lucia | Rafael Aguirre | A Major | 1 | 11B | 145 BPM | ||
| Elixer | Harry Sacksioni | B Minor | 4 | 10A | 127 BPM | ||
| 4 Estaciones Portenas (pour guitare): N°.1 Primavera Porteña | Göran Söllscher, Astor Piazzolla | E Minor | 0 | 9A | 129 BPM | ||
| Bardenklange, Op. 13: Book 3: No. 3. Capriccio | Johann Kaspar Mertz, Gabriel Bianco | D Minor | 1 | 7A | 152 BPM | ||
| Vals No. 3 | Agustín Barrios Mangoré, John Williams | D Minor | 2 | 7A | 91 BPM | ||
| Prelude in D Minor - J.S. Bach | Robert Westaway | A Minor | 3 | 8A | 156 BPM | ||
| Alla Turca Jazz, Op. 5b | Fazıl Say | E Minor | 3 | 9A | 168 BPM | ||
| Revoir Paris | Roland Dyens | D Major | 0 | 10B | 99 BPM | ||
| Diferencias sobre el Conde Claros | Alonso Mudarra, John C. Williams | D Major | 1 | 10B | 96 BPM | ||
| Suite Española No. 1, Op. 47: No. 5, Asturias (Leyenda) [Arranged by John Williams for Guitar] | Isaac Albéniz, John Williams | E Minor | 1 | 9A | 110 BPM | ||
| El sombrero de tres picos: The Miller's Dance | John C. Williams | C Major | 2 | 8B | 142 BPM | ||
| Tango en Skai | Roland Dyens, Enno Voorhorst, The String Soloists | A Minor | 1 | 8A | 131 BPM | ||
| Como llora una estrella | Antonio Carillo, John Williams | D Minor | 2 | 7A | 129 BPM | ||
| Walking | Estas Tonne | D Minor | 2 | 7A | 135 BPM |