Nirmala Rajasekar, Raghavendra Rao, Tanjore K. Murugaboopathi, V. Suresh's ' "Ananda Nadamaduvar (Raga Purvi Kalyani, Rupakam Tala)" was released on its scheduled release date, October 26, 2010. This song appears to be safe for all ages as it is not explicit. The track order of this song in Nirmala Rajasekar's "Into the Raga" album is number 6 out of 10. On top of that, United States appears to be the country where this track was created. Based on our statistics, Ananda Nadamaduvar (Raga Purvi Kalyani, Rupakam Tala)'s popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Ananda Nadamaduvar (Raga Purvi Kalyani, Rupakam Tala) by Nirmala Rajasekar, Raghavendra Rao, Tanjore K. Murugaboopathi, V. Suresh to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Mahatma | Roopa Panesar | D Major | 4 | 10B | 79 BPM | ||
| Sarasuda Varnam (Raga Saveri, Aadi Tala) | Nirmala Rajasekar, Raghavendra Rao, Tanjore K. Murugaboopathi, V. Suresh | A♭ Major | 5 | 4B | 128 BPM | ||
| Kriti: "Mīnākṣi Me Mudam" / Madhyamakāla Sāhitya (2) | Ranganayaki Rajagopalan, Raja Rao | F Minor | 5 | 4A | 158 BPM | ||
| Munnai Pazham Porul | V2S2, RAGAMALIKATV | A♭ Major | 3 | 4B | 99 BPM | ||
| Raga Dvijavanthi - Jaljaivanthi | A. Kanyakumari, Janardan Mitta | A♭ Minor | 9 | 1A | 87 BPM | ||
| Khamas Raga | V.S.Narasimhan | E Minor | 1 | 9A | 130 BPM | ||
| Chinnanchiru Kiliye - Veena | Chitti Babu | A Major | 6 | 11B | 153 BPM | ||
| Thillana | Sanjay Subrahmanyan | G Major | 8 | 9B | 154 BPM | ||
| Sarod Patdeep | Bapu Padmanabha | F♯ Minor | 1 | 11A | 137 BPM | ||
| Kavadi Chindu - Sindhu - Ekam | Aruna Sairam | F Minor | 6 | 4A | 179 BPM | ||
| Rahuvamsa - Kadana Kuthukalam - Adi | Rajhesh Vaidhya | G Major | 8 | 9B | 100 BPM | ||
| Jesinathella Thodi - Namagiripettai Krishnan | Namagiripettai Krishnan | A♭ Minor | 6 | 1A | 110 BPM | ||
| Vanajaksha (Behag Varnam) [Veena] | Ramana Balachandhran | D Major | 3 | 10B | 66 BPM | ||
| Raga Bilaskhani Todi | Amjad Ali Khan | B♭ Minor | 2 | 3A | 117 BPM | ||
| Chakkani Raja | Sound Creed, Sayee Rakshith | A Minor | 6 | 8A | 90 BPM | ||
| Nannu Brovave | N. Ramani | A♭ Major | 8 | 4B | 149 BPM | ||
| Bahar | Buddhadev DasGupta | F Major | 5 | 7B | 133 BPM | ||
| Vrindavanave Mandiravagihe | Roopa Shree H S | A♭ Major | 3 | 4B | 159 BPM | ||
| Charukesi (Violin Solo) | Apoorva Krishna | A Major | 6 | 11B | 150 BPM | ||
| Whispering Sitar | The Samata Society | A Major | 4 | 11B | 90 BPM | ||
| Krishna Nee Begame | E.Gaayathri | A♭ Major | 6 | 4B | 98 BPM | ||
| Maharaj Eki Sajey Ele | Tejendra Majumdar | C Major | 5 | 8B | 117 BPM | ||
| Thirupugazh - Violin | Kunnakudi Vaidyanathan, Valayappatti A. R. Subramaniam | E Minor | 7 | 9A | 177 BPM | ||
| Thondhisariya (Mayamalavagowla) | Swarathmika Srikanth | A♭ Major | 7 | 4B | 100 BPM | ||
| Pullanguzhal | Kalaimamani Prabhavathi Ganesan | B♭ Minor | 6 | 3A | 91 BPM |