Percy Sledge's ' "It's All Wrong but It's Alright" was released on its scheduled release date, 1968. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Take Time to Know Her". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, It's All Wrong but It's Alright's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With It's All Wrong but It's Alright by Percy Sledge having a BPM of 157 with a half-time of 78 BPM and a double-time of 314 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Change Is Gonna Come | Arthur Conley | F Minor | 1 | 4A | 76 BPM | ||
| So Grateful | The Contours | F Major | 6 | 7B | 108 BPM | ||
| I Had a Talk with My Woman | Percy Sledge | E♭ Major | 3 | 5B | 150 BPM | ||
| Nothing Takes the Place of You | Toussaint McCall | A♭ Major | 2 | 4B | 95 BPM | ||
| Rainbow | Gene Chandler | D♭ Major | 3 | 3B | 178 BPM | ||
| Human | Tommy Hunt | C Major | 2 | 8B | 178 BPM | ||
| Just Because | Lloyd Price | E♭ Major | 5 | 5B | 114 BPM | ||
| Hard To Believe | The Impressions | D Major | 3 | 10B | 183 BPM | ||
| If Loving You Is Wrong (I Don't Want To Be Right) - Live | Luther Ingram | E Minor | 4 | 9A | 133 BPM | ||
| Just Out of Reach (Of My Two Empty Arms) | Percy Sledge | G Major | 3 | 9B | 177 BPM | ||
| To Know Him Is to Love Him | The Shirelles | A Major | 2 | 11B | 170 BPM | ||
| The Double Cross | David Ruffin | A♭ Major | 5 | 4B | 78 BPM | ||
| You Don't Miss Your Water | Percy Sledge | A♭ Major | 2 | 4B | 114 BPM | ||
| Drowning in the Sea of Love | Joe Simon | D Minor | 2 | 7A | 70 BPM | ||
| Cry To Me | Garnet Mimms & The Enchanters | F Major | 7 | 7B | 125 BPM | ||
| Tonight | Osxie | C Minor | 5 | 5A | 81 BPM | ||
| I Wanna Get Next To You | Rose Royce | C Major | 4 | 8B | 130 BPM | ||
| I'm So Sorry | Mary Wells | A♭ Major | 4 | 4B | 95 BPM | ||
| Holding On To A Dying Love | Otis Clay | D Major | 8 | 10B | 197 BPM | ||
| Once in a While (Is Better Than Never at All) | Spencer Wiggins | A Minor | 6 | 8A | 122 BPM | ||
| I Let Love Slip Away | David Ruffin | F Major | 5 | 7B | 76 BPM | ||
| Have a Little Mercy | Jean Wells | E♭ Major | 5 | 5B | 147 BPM | ||
| How Many Times | Mavis Staples | B♭ Major | 3 | 6B | 66 BPM | ||
| Wonderin' | Little Richard | E♭ Major | 3 | 5B | 69 BPM | ||
| Leave Me Alone | Baby Washington | A Major | 5 | 11B | 120 BPM |