On May 17, 1997, the song "Gal Na Bolay" was released by Devang Patel. This song is about six minutes long, preciously at 6:23, making this song fairly long compared to other songs. The track order of this song in Devang Patel's "Jalsa" album is number 2 out of 5. On top of that, India appears to be the country where this track was created. In terms of popularity, Gal Na Bolay is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Gal Na Bolay by Devang Patel to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| John Jani Janardhan - From "Naseeb" | Mohammed Rafi | A Minor | 8 | 8A | 94 BPM | ||
| Kanta Laga - Remix | Pallavi Kelkar, R. D. Burmanuj Matthews | G Major | 5 | 9B | 122 BPM | ||
| Love Rap | Amit Kumar, Sapna Mukherjee, Poornima | D♭ Major | 7 | 3B | 94 BPM | ||
| Kar Chale Hum Fida | Muhammad Salamat | F Minor | 10 | 4A | 144 BPM | ||
| Mere Baap Ke Beti | Abhijeet, Vinod Rathod | B♭ Minor | 7 | 3A | 97 BPM | ||
| Humba Leela | Abhijeet, Hariharan, Vinod Rathod | D Major | 9 | 10B | 125 BPM | ||
| Title Song | Ravindra Sathe | A♭ Minor | 7 | 1A | 126 BPM | ||
| Tuna Tuna Taa Taa Tuna | Amit Kumar, Arun Bakshi | D Major | 10 | 10B | 134 BPM | ||
| Raat Bhar Jaam Se | Alisha Chinai | C Major | 7 | 8B | 142 BPM | ||
| Yaad Aa Raha Hai | Bappi Lahiri | E♭ Major | 6 | 5B | 134 BPM | ||
| Jogi Ji Dheere Dheere - Upbeat | Jaspal Singh, Hemlata, Chandrani Mukherjee, Sushil Kumar | D♭ Major | 6 | 3B | 102 BPM | ||
| Goli Maar Bheje Mein | Mano | D Major | 6 | 10B | 120 BPM | ||
| Yahoo Chahe Koi Mujhe Junglee Kahe | Mohammed Rafi | B♭ Major | 9 | 6B | 145 BPM | ||
| Sundara Sundara | Vinod Rathod, Sapna Mukherjee | G Major | 9 | 9B | 100 BPM | ||
| Tum Khoobsurat Ho - Ati Nahi Ati Nahi | Nalin Dave, Laxmikant–Pyarelal | D Major | 6 | 10B | 105 BPM | ||
| Tadap Tadap (From "Hum Dil De Chuke Sanam") | KK, Dominique | A♭ Major | 3 | 4B | 76 BPM | ||
| Ek Doosre Se Karte Hain Pyar Hum - Instrumental | Laxmikant–Pyarelal | F♯ Major | 5 | 2B | 81 BPM | ||
| Pile Pile O Meri | Mohammed Aziz, Sudesh Bhosle | A♭ Major | 8 | 4B | 106 BPM | ||
| Jugni Jugni | Anuradha Paudwal, Sukhwinder Singh, Jaspinder Narula, Anmol Malik | E Minor | 9 | 9A | 164 BPM | ||
| Dilli Ki Sardi (Remix) | KK, Shweta Shetty | F♯ Major | 8 | 2B | 118 BPM | ||
| Samay Ka Pahiya | Vishal-Shekhar, Hariharan, Sukhwinder Singh | A♭ Major | 5 | 4B | 80 BPM | ||
| Hata Saawan Ki Ghata | Babul Supriyo, Jaspinder Narula | G Major | 8 | 9B | 130 BPM | ||
| Lagan Lagi | Sukhwinder Singh | D♭ Major | 7 | 3B | 99 BPM | ||
| Bharat Ka Rahnewala Hoon | Mahendra Kapoor, Kalyanji-Anandji | G Major | 4 | 9B | 79 BPM | ||
| Bharat Ka Baccha Baccha Jai Shree Rambole Ga | Pooja Golhani | F♯ Major | 8 | 2B | 147 BPM |