Alondra Bentley's ' "Autumn Rhyme" was released on its scheduled release date, October 15, 2012. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Autumn Rhyme's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "The Garden Room". In this album, this song's track order is #10. The popularity of Autumn Rhyme is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Autumn Rhyme by Alondra Bentley having a BPM of 164 with a half-time of 82 BPM and a double-time of 328 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gone, Play On | Russian Red | A♭ Minor | 4 | 1A | 77 BPM | ||
| Red Red Red (générique début) (feat. Piers Faccini) | Kraked Unit, Piers Faccini | A♭ Major | 2 | 4B | 60 BPM | ||
| When I First Came to London | Javier De Torres, Roger Sincero, Alondra Bentley | A♭ Major | 3 | 4B | 70 BPM | ||
| Break My Silence | Andy Shauf | B♭ Major | 2 | 6B | 80 BPM | ||
| Mind Over Matter | Sea Stars | A Minor | 2 | 8A | 97 BPM | ||
| Mira Que Eres Linda | Carlos Sadness | B♭ Minor | 4 | 3A | 114 BPM | ||
| Superhero | Groenland | A Minor | 5 | 8A | 122 BPM | ||
| I Suggest | Marlango | F Minor | 4 | 4A | 67 BPM | ||
| Tiny | Alondra Bentley | D Major | 1 | 10B | 114 BPM | ||
| Morning Light | Clara Luzia | A Minor | 7 | 8A | 165 BPM | ||
| Flying Peacefully | Morgan | F♯ Major | 6 | 2B | 92 BPM | ||
| Still Be There | Alondra Bentley | E Minor | 2 | 9A | 118 BPM | ||
| Strange Game | Jess Ribeiro | E Major | 4 | 12B | 184 BPM | ||
| Do Not Go Gentle Into That Good Night | Cari Cari | E Major | 2 | 12B | 135 BPM | ||
| Your Young Voice | Jonny Muir | C Major | 2 | 8B | 113 BPM | ||
| Chicago (con Vetusta Morla) | Christina Rosenvinge, Vetusta Morla | A Major | 4 | 11B | 122 BPM | ||
| Muero De Amor | La Bien Querida | B Major | 3 | 1B | 86 BPM | ||
| Blend | Aldous Harding | D♭ Minor | 3 | 12A | 126 BPM | ||
| Ada Road | MAVICA | C Major | 3 | 8B | 160 BPM | ||
| Teach Me | Nicole Simone | D♭ Major | 3 | 3B | 81 BPM | ||
| El Arriero, Pt. 2 | Angel Stanich | D Minor | 7 | 7A | 136 BPM | ||
| Cry All Night | D'Arcy Spiller | A♭ Major | 3 | 4B | 120 BPM | ||
| Ai, Ai, Ai | Sílvia Pérez Cruz | G Major | 4 | 9B | 107 BPM | ||
| You Were Right About Everything | Erin McKeown | F♯ Minor | 4 | 11A | 136 BPM | ||
| Miracle | REYKO | G Minor | 4 | 6A | 144 BPM |