"The Bear Advances" by Mark Snow had its release date on August 28, 2020. With This song being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "The New Mutants (Original Motion Picture Soundtrack)". In this album, this song's track order is #4. In terms of popularity, The Bear Advances is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Bear Advances by Mark Snow having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ash's Dream / Dancing Game / Dance of the Dead | Joseph Loduca | E♭ Minor | 3 | 2A | 119 BPM | ||
| La Tripulacion | Formas Correctas | G Minor | 2 | 6A | 130 BPM | ||
| The Sentinel | Mzukuko | D♭ Major | 4 | 3B | 90 BPM | ||
| Pequeñas Muestras | Bellum Sanctus | B♭ Minor | 1 | 3A | 173 BPM | ||
| Susan Softens | Trevor Rabin | G Minor | 1 | 6A | 86 BPM | ||
| Seclusion (Slowed + Reverb) | Hussein Yaghi | E Major | 2 | 12B | 123 BPM | ||
| Navarre's and Marquet's Duel | Andrew Powell, Philharmonia Orchestra | G Major | 2 | 9B | 137 BPM | ||
| Ybara The Strange / Waterboard (X-Files: I Want To Believe OST) | Mark Snow | G Minor | 0 | 6A | 82 BPM | ||
| Brother's Tale | James Barth | A Major | 1 | 11B | 70 BPM | ||
| Van Chase | Basil Poledouris | C Major | 1 | 8B | 87 BPM | ||
| Fuchs | Alan Howarth, Larry Hopkins | B♭ Major | 0 | 6B | 72 BPM | ||
| Booby Trap: The Trap | Ron Jones | C Major | 3 | 8B | 120 BPM | ||
| Heat of Feeling Good | Paolo MIllon, Neon Lilith, Andrea Sullivan, Alan R Black | D♭ Minor | 1 | 12A | 105 BPM | ||
| Placeres Inmensos | Fronteras Lejanas | F Minor | 1 | 4A | 95 BPM | ||
| Alone | David Julyan | A♭ Minor | 1 | 1A | 47 BPM | ||
| Thynk Unlimited | Screamthat | D♭ Major | 1 | 3B | 130 BPM | ||
| Shore: Finale | Howard Shore, Münchner Symphoniker | D Minor | 2 | 7A | 140 BPM | ||
| Ultimas Reuniones | Enigma Hermético | B Minor | 1 | 10A | 136 BPM | ||
| El Toro Destroyed | David Arnold, Nicholas Dodd | A Minor | 1 | 8A | 92 BPM | ||
| F Major | Tofiq Mikayilzade, Ted Boyarskiy | D Major | 3 | 10B | 85 BPM | ||
| The Mountains | David Julyan | G Major | 2 | 9B | 79 BPM | ||
| A Bocados | Emanuela Dellana | C Major | 4 | 8B | 140 BPM | ||
| Prologue | Joseph Loduca | E Major | 2 | 12B | 170 BPM | ||
| Unknown Lands | Caro Konrad, Caro Knd | C Minor | 7 | 5A | 125 BPM | ||
| Robo & ED 209 Fight | Basil Poledouris | F♯ Major | 3 | 2B | 91 BPM |